The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
After breakfast, Dicky, “with shining morning face,” appears in the
street, on his way to school, with his Latin grammar in one hand, and a
slice of bread and butter in the other, to either of which he pays his
devoirs, and “slides and looks, and slides and looks,” all the way till
he arrives at “the house of bondage,” when his fingers are so benumbed,
that he is obliged to warm his slate, and even then they refuse to cast
up figures, “of their own accord.” In another part of the school, Joe
Lazy finds it “so ’nation cold,” that he is quite unable to learn the
two first lines of his lesson,--and he plays at “cocks and dollars” with
Jem Slack in a corner. The master stands before the fire, like the
Colossus of Rhodes, all the morning, to the utter discomfiture of the
boys, who grumble at the monopoly, and secretly tell one another, that
they pay for the fire, and ought to have the benefit of it. At length he
says, “You may go, boys;” whereupon ensues such a pattering of feet,
shutting of boxes, and scrambling for hats, as beats Milton’s “busy hum
of men” all to nothing, till they reach their wonted slide in the yard,
where they suddenly stop on discovering that “that _skinny_ old
creature, Bet Fifty, the cook,” has bestrewed it from end to end with
sand and cinders. Frost-stricken as it were, they stare at one another,
and look unutterable things at the aforesaid “skinny old creature;” till
Jack Turbulent, ring-leader-general of all their riots and rebellions,
execrates “old Betty, cook,” with the fluency of a parlour boarder, and
hurls a well-wrought snowball at the Gorgon, who turns round in a
passion to discover the delinquent, when her pattens, unused to such
quick rotatory motion, slip from under her feet, and “down topples she,”
to the delight of the urchins around her, who drown her cries and
threats in reiterated bursts of laughter.
Now, the Comet stage-coach, bowling along the russet-coloured road, with
a long train of vapour from the horses’ nostrils, looks really like a
comet. At the same time, Lubin, who has been sent to town by his
mistress with a letter for the post-office, and a strict injunction to
return speedily, finds it impossible to pass the blacksmith’s shop,
where the bright sparks fly from the forge; and he determines “just” to
stop and look at the blaze “a bit,” which, as he says, “raly does one’s
eyes good of a winter’s morning;” and then, he just blows the bellows a
bit, and finds it so pleasant to listen to the strokes of Vulcan’s wit,
and his sledge-hammer, alternately, that he continues blowing up the
fire, till, at length, he recollects what a “blowing up” he shall have
from his “Missis” when he gets home, and forswears the clang of
horse-shoes and plough-irons, and leaves the temple of the Cyclops, but
not without a “longing, ling’ring look behind” at Messrs. Blaze and
_Company_.
Public-domain text, read in full here on John Shaqi.
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