The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
Sightless, and gently led her unseen round,
She daily creeps, and draws a soothing sound
Of Psalmody, from out her viol’ strings,
To company some plaintive words she sings.
*
This young woman sojourns in the neighbourhood of the ancient scene of
the “Pretty Bessee” and her old father, the “Blind Beggar of
Bethnal-green”--
“His marks and his tokens were known full well,
He always was led with a dog and a bell.”
Her name is Hannah Brentford. She is an inhabitant of Bunhill-row,
twenty-four years old, and has been blind from the time she had the
small-pox, two and twenty years ago. She sings hymns, and accompanies
herself on the violin. Her manner is to “give out” two lines of words,
and chant them to “a quiet tune;” and then she gives out another two
lines; and so she proceeds till the composition is finished. Her voice,
and the imitative strains of her instrument, are one chord of ’plaining
sound, beautifully touching. She supports herself, and an aged mother,
on the alms of passengers in the streets of Finsbury, who “please to
bestow their charity on the _blind_”--“the _poor_ blind.” They who are
not pierced by her “sightless eye-balls” have no sight: they who are
unmoved by her virginal melody have “ears, and they hear not.” Her eyes
are of agate--she is one of the “poor _stone_ blind”--
“most musical, most melancholy.”
* * * * *
~Garrick Plays.~
No. V.
[From “Arden of Feversham his true and lamentable Tragedy,” Author
unknown. 1592.]
_Alice Arden with Mosbie her Paramour conspire the murder of her
Husband._
Public-domain text, read in full here on John Shaqi.
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