The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
“Dr. Bull hearing of a famous musician belonging to a certain cathedral
at St. Omer’s, he applied himself as a novice to him, to learn something
of his faculty, and to see and admire his works. This musician, after
some discourse had passed between them, conducted Bull to a vestry or
music-school joining to the cathedral, and showed to him a lesson or
song of forty parts, and then made a vaunting challenge to any person in
the world to add one more part to them, supposing it to be so complete
and full that it was impossible for any mortal man to correct or add to
it; Bull thereupon desiring the use of pen, ink, and ruled paper, such
as we call music paper, prayed the musician to lock him up in the said
school for two or three hours; which being done, not without great
disdain by the musician, Bull in that time, or less, added forty more
parts to the said lesson or song. The musician thereupon being called
in, he viewed it, tried it, and retried it; at length he burst out into
a great ecstasy, and swore by the great God, that he that added those
forty parts must either be the devil, or Dr. Bull, &c. Whereupon Bull
making himself known, the musician fell down and adored him. Afterwards
continuing there and in those parts for a time, he became so much
admired, that he was courted to accept of any place or preferment
suitable to his profession, either within the dominions of the emperor,
king of France, or Spain; but the tidings of these transactions coming
to the English court, queen Elizabeth commanded him home.”[58]
Dr. Burney disregards the preceding account as incredible; but Wood was
a most accurate writer: and Dr. Bull, besides being a great master, was
a lover of the difficulties in his science, and was therefore likely to
seek them with delight, and accomplish them in a time surprisingly short
to those who study melody rather than intricacy of composition.
It is related that in the reign of James I. “July the 16th, 1607, his
majesty and prince Henry, with many of the nobility, and other
honourable persons, dined at Merchant Taylors’ hall, it being the
election-day of their master and wardens; when the company’s roll being
offered to his majesty, he said he was already free of another company,
but that the prince should grace them with the acceptance of his
freedom, and that he would himself see when the garland was put on his
head, which was done accordingly. During their stay, they were
entertained with a great variety of music, both voices and instruments,
as likewise with several speeches. And, while the king sat at dinner,
Dr. Bull, who was free of that company, being in a cittizen’s gowne,
cappe, and hood, played most excellent melodie uppon a small payre of
organs, placed there for that purpose onely.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account