The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
As the pent water of a mill-dam lies
Motionless, yielding, noiseless, and serene.
Patience waits meekly with companioned eyes;
Or like the speck-cloud, which alone is seen
Silver’d within blue space, ling’ring for air
On which to sail prophetic voyages;
Or as the fountain stone that doth not wear,
But suits itself to pressure, and with ease
Diverts the dropping crystal; or the wife
That sits beside her husband and her love
Subliming to another state and life,
Off’ring him consolation as a dove,--
Her sighs and tears, her heartache and her mind
Devout, untired, calm, precious, and resign’d.
*, *, P.
* * * * *
~British Portraits.~
CATALOGUE OF PAINTED BRITISH PORTRAITS, comprising most of the
Sovereigns of England, from Henry I. to George IV., and many
distinguished personages; principally the productions of Holbein,
Zucchero, C. Jansen, Vandyck, Hudson, Reynolds, Northcote, &c. _Now
selling at the prices affixed, by_ HORATIO RODD, _17, Air-street,
Piccadilly_. 1827.
This is an age of book and print catalogues; and lo! we have a picture
dealer’s catalogue of portraits, painted in oil, from the price of two
guineas to sixty. There is only one of so high value as the latter sum,
and this is perhaps the most interesting in Mr. Rodd’s collection, and
he has allowed the present engraving from it. The picture is in size
thirty inches by twenty-five. The subjoined particulars are from the
catalogue.
[Illustration: ~Simon Lord Lovat.~
FROM THE ORIGINAL PICTURE BY HOGARTH, LATELY DISCOVERED.]
“To the present time, none of Hogarth’s biographers appear to have been
aware of the ‘local habitation’ of the original painting from which the
artist published his etching, the popularity of which, at the period to
which it alludes, was so great, that a printseller offered for it its
weight in gold: that offer the artist rejected; and he is said to have
received from its sale, for many weeks, at the rate of twelve pounds
each day. The impressions could not be taken off so fast as they were
wanted, though the rolling-press was at work all night by the week
together.
Public-domain text, read in full here on John Shaqi.
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