The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
Whether the name of Laensberg is a real or an assumed name is a matter
of great doubt. A tradition, preserved in the family of the first
printers of the work, ascribes it to a canon of St. Bartholomew, at
Liège, who lived about the conclusion of the sixteenth century, or at
the beginning of the seventeenth. This is further corroborated, by a
picture of a canon of that church which still exists, and which is
conjectured by many to represent the inventor of the celebrated almanac
of Liège. Figure to yourself an old man, seated in an arm chair, his
left hand resting on a globe, and his right holding a telescope. At his
feet are seen different mathematical instruments, several volumes and
sheets of paper, with circles and triangles drawn upon them. His eyes
are large and prominent; he has a dull, heavy look, a nose in the form
of a shell, and large ears, which are left uncovered by a greasy cap.
His large mouth, half open, announces surliness and pedantry; frightful
wrinkles furrow his face, and his long bushy beard covers an enormous
band. This man is, besides, muffled up in an old cassock, patched in
several places. Under his hideous portrait is the inscription “D. T. V.
Bartholomæi Canonicus et Philosophiæ Professor.”
Such is the picture given by a person who examined this portrait, and
who, though he was at the pains to search the registers of the chapter
of Liège, was unable to find any name that at all corresponded with the
above designation. Hence it may be fairly concluded, that the canon,
whose portrait has just been exhibited, assumed the name of Matthew
Laensbert, or Laensberg, as well as the title of professor of
philosophy, for the purpose of publishing his almanac, with the
prognostications, which have rendered it so celebrated.
The earliest of these almanacs known to exist is of the year 1636. It
bears the name of Matthew Lansbert, mathematician, and not Laensberg, as
it is now written. In the middle of the title is seen the portrait of an
astronomer, nearly resembling that which is still placed there. After
the printer’s name, are the words, “with permission of the superior
powers.” This is repeated in the eleven first almanacs, but in that for
1647, we find, “with the favour and privilege of his highness.” This
privilege, granted by Ferdinand of Bavaria, prince of Liège, is actually
inserted. It gives permission to Leonard Streete to print Matthew
Laensberg’s almanac, and forbids other printers to make copies of it,
upon pain of confiscation, and other penalties.
The name of this prophet, spelt Lansbert in the first almanacs, has
since been regularly written Laensberg. It is to this privilege of the
prince bishop of Liège that Voltaire alludes in these lines of his
Epistle to the king of Denmark:--
Et quand vous écrirez sur l’almanac de Liège,
Ne parlez des saisons qu’avec un privilège.
Public-domain text, read in full here on John Shaqi.
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