The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
_Y. For._ Sister!
_Sus._ O brother, brother!
_Y. For._ Father, how cheer you, Sir? why, you were wont
To store for others comfort, that by sorrow
Were any ways distress’d. Have you all wasted,
And spared none to yourself?
_O. For._ O Son, Son, Son,
See, alas, see where thy brother lies.
He dined with me to day, was merry, merry,
Aye, that corpse was; he that lies here, see here,
Thy murder’d brother and my son was. Oh see,
Dost thou not weep for him?
_Y. For._ I shall find time;
When you have took some comfort, I’ll begin
To mourn his death, and scourge the murderer’s sin.
_O. For._ Oh, when saw father such a tragic sight,
And did outlive it? never, son, ah never,
From mortal breast ran such a precious river.
_Y. For._ Come, father, and dear sister, join with me;
Let us all learn our sorrows to forget.
He owed a death, and he hath paid that debt.
If I were to be consulted as to a Reprint of our Old English Dramatists,
I should advise to begin with the collected Plays of Heywood. He was a
fellow Actor, and fellow Dramatist, with Shakspeare. He possessed not
the imagination of the latter; but in all those qualities which gained
for Shakspeare the attribute of _gentle_, he was not inferior to him.
Generosity, courtesy, temperance in the depths of passion; sweetness, in
a word, and gentleness; Christianism; and true hearty Anglicism of
feelings, shaping that Christianism; shine throughout his beautiful
writings in a manner more conspicuous than in those of Shakspeare, but
only more conspicuous inasmuch as in Heywood these qualities are
primary, in the other subordinate to poetry. I love them both equally,
but Shakspeare has most of my wonder. Heywood should be known to his
countrymen, as he deserves. His plots are almost invariably English. I
am sometimes jealous, that Shakspeare laid so few of his scenes at home.
I laud Ben Jonson, for that in one instance having framed the first
draught of his Every Man in his Humour in Italy, he changed the scene,
and Anglicised his characters. The names of them in the First Edition,
may not be unamusing.
_Men._
Lorenzo, Sen.
Lorenzo, Jun.
Prospero.
Thorello.
Stephano (Master Stephen.)
Dr. Clement (Justice Clement.)
Bobadilla (Bobadil.)
Musco.
Cob (the same in English.)
Peto.
Pizo.
Matheo (Master Mathew.)
_Women._
Guilliana.
Biancha.
Hesperida.
Tib (the same in English.)
How say you, Reader? do not Master Kitely, Mistress Kitely, Master
Knowell, Brainworm, &c. read better than these Cisalpines?
C. L.
* * * * *
[Illustration: ~Billy Boots.~]
_For the Table Book._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account