The Every-day Life of Abraham Lincoln: A Narrative And Descriptive Biography With Pen-Pictures And Personal; Recollections By Those Who Knew HimBrowne, Francis F. (Francis Fisher)
History
The Every-day Life of Abraham Lincoln: A Narrative And Descriptive Biography With Pen-Pictures And Personal; Recollections By Those Who Knew Him
Browne, Francis F. (Francis Fisher)
Lincoln, Abraham, 1809-1865; Presidents -- United States -- Biography
Henry Champion Deming says of Lincoln's appearance at this time:
"Conceive a tall and giant figure, more than six feet in height, not
only unencumbered with superfluous flesh, but reduced to the minimum
working standard of cord and sinew and muscle, strong and indurated by
exposure and toil, with legs and arms long and attenuated, but not
disproportionately to the long and attenuated trunk; in posture and
carriage not ungraceful, but with the grace of unstudied and careless
ease rather than of cultivated airs and high-bred pretensions. His dress
is uniformly of black throughout, and would attract but little attention
in a well-dressed circle, if it hung less loosely upon him, and if the
ample white shirt collar were not turned over his cravat in Western
style. The face that surmounts this figure is half Roman and half
Indian, bronzed by climate, furrowed by life struggles, seamed with
humor; the head is massive and covered with dark, thick, and
unmanageable hair; the brow is wide and well developed, the nose large
and fleshy, the lips full, cheeks thin and drawn down in strong, corded
lines, which, but for the wiry whiskers, would disclose the machinery
which moves the broad jaw. The eyes are dark gray, sunk in deep sockets,
but bright, soft and beautiful in expression, sometimes lost and half
abstracted, as if their glance was reversed and turned inward, or as if
the soul which lighted them was far away. The teeth are white and
regular, and it is only when a smile, radiant, captivating, and winning
as was ever given to mortal, transfigures the plain countenance, that
you begin to realize that it is not impossible for artists to admire and
women to love it."
Public-domain text, read in full here on John Shaqi.
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