The Evil Eye; Or, The Black Spector: The Works of William Carleton, Volume OneCarleton, William
General
The Evil Eye; Or, The Black Spector: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
“Harry,” said Lindsay, “from what has occurred this morning, I shall be
guided by you. I will not press this marriage, neither shall I stoop to
seek an explanation.”
“Thank you, sir,” replied Harry. “I advise you as I do because I would
not wish to see our whole family insulted in your person.”
Maria and her brother Charles looked at each other, and seemed to
labor under a strange and somewhat mysterious feeling. The confidence,
however, with which Harry spoke evidently depressed them, and, as they
entertained not the slightest suspicion of his treachery, they left the
apartment each with a heavy heart.
Harry, from this time forward, associated more with his brother than he
had done, and seemed to take him more into his confidence. He asked him
out in all his sporting expeditions; and proposed that they should each
procure a shooting dress of the same color and materials, which was
accordingly done; and so strongly did they resemble each other, when
dressed in them, that in an uncertain light, or at a distance, it was
nearly impossible to distinguish the one from the other. In fact, the
brothers were now inseparable, Harry's object being to keep Charles as
much under his eye and control as possible, from an apprehension that,
on cool reflection, he might take it into his head to satisfy himself
by a personal interview with Alice Goodwin as to the incomprehensible
change which had estranged her affection from him.
Still, although the affection of those brothers seemed to increase, the
conduct of Harry was full of mystery. That the confidence he placed
in Charles was slight and partial admitted of no doubt. He was in the
habit, for instance, of going out after the family had gone to bed, as
we have mentioned before; and it was past all doubt that he had been
frequently seen accompanied, in his midnight rambles, by what was known
in the neighborhood as the Black Spectre, or, by the common people, as
the _Shan-dhinne-dhue_, or the dark old man. These facts invested
his character, which, in spite of all his plausibility of manner, was
unpopular, with something of great dread, as involving on his part some
unholy association with the evil and supernatural. This was peculiarly
the age of superstition and of a belief in the connection of both men
and women with diabolical agencies; for such was the creed of the day.
One evening, about this time, Caterine Collins was on her way home to
Rathfillan, I when, on crossing a piece of bleak moor adjacent to the
town, a powerful young fellow, dressed in the truis, cloak, and barrad
of the period, started up from a clump of furze bushes, and addressed
her as follows:--
“Caterine,” said he, “are you in a hurry?”
“Not particularly,” she replied; “but in God's name, Shawn, what brings
you here? Are you mad? or what tempts you to come within the jaws of the
law that are gaping for you as their appointed victim? Don't you know
you are an outlaw?”
Public-domain text, read in full here on John Shaqi.
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