The Evil Eye, Thanatology, and Other EssaysPark, Roswell
Religion
The Evil Eye, Thanatology, and Other Essays
Park, Roswell
Bruno, Giordano, 1548-1600; Evil eye; Knights of Malta; Medicine; Mythology; Religion; Students
It is scarcely necessary that I delay you now with an account of all
of the other ethereal anesthetic agents which have from time to time
been advocated since the memorable days to which I have devoted most
of my time to-night. Two only are at present ever thought of--namely,
bichloride of methylene and bromide of ethyl!--and these are used by
only a few, though each has its advantages. It is well known that
nearly all of the ethers have more or less of anesthetic property,
coupled with many dangers and disadvantages. Sulphuric ether and
chloroform hold the boards to-day as against any and all of their
competitors.
Nitrous oxide gas, as already mentioned, was known to and used by
Wells, in Hartford. With the advent of ether this gas fell at once into
disuse, to be revived some fifteen years after the death of Wells,
mainly through the use of Dr. G. Q. Colton. Since this time its use
has been quite universal, although confined for the main part to the
offices of dentists. Its great advantages are ease of administration
and rapidity of recovery, making it especially useful for their
purposes, while the difficulties attendant upon prolonged anesthesia by
it makes it less useful for the surgeon.
I will spend no further time upon it nor upon the subject save to do
justice to modern anesthesia by a very different method and by means of
a very different drug, which is to-day in so common use that we almost
forget to mention the man to whom we owe it. I allude to _Cocaine_ and
its discoverer, Koller.
Cocaine is now such a universally recognized local anesthetic that
there is the best of reason for referring to it here--the more so
because it affords another opportunity to do honor to a discoverer, who
has rendered a most important service to not only our profession, but
to the world in general.
Public-domain text, read in full here on John Shaqi.
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