The Evil ShepherdOppenheim, E. Phillips (Edward Phillips)
General
The Evil Shepherd
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories
Francis did as he was bidden. The girl was a well-known member of the
chorus of one of the principal musical comedies, and she seemed to be
thoroughly enjoying both the dance and her partner. The latter appeared
to be of a somewhat ordinary type, sallow, with rather puffy cheeks, and
eyes almost unnaturally dark. He danced vigorously and he talked all the
time. Something about him was vaguely familiar to Francis, but he failed
to place him.
“Notwithstanding all my precautions,” Sir Timothy continued, “there,
fondly believing himself to be unnoticed, is an emissary of
Scotland Yard. Really, of all the obvious, the dry-as-dust,
hunt-your-criminal-by-rule-of-three kind of people I ever met, the class
of detective to which this man belongs can produce the most blatant
examples.”
“What are you going to do about him?” Francis asked.
Sir Timothy shrugged his shoulders.
“I have not yet made up my mind,” he said. “I happen to know that he
has been laying his plans for weeks to get here, frequenting Soto's and
other restaurants, and scraping acquaintances with some of my friends.
The Duke of Tadchester brought him--won a few hundreds from him at
baccarat, I suppose. His grace will never again find these doors open to
him.”
Francis' attention had wandered. He was gazing fixedly at the man whom
Sir Timothy had pointed out.
“You still do not fully recognise our friend,” the latter observed
carelessly. “He calls himself Manuel Loito, and he professes to be
a Cuban. His real name I understood, when you introduced us, to be
Shopland.”
“Great heavens, so it is!” Francis exclaimed.
“Let us leave him to his precarious pleasures,” Sir Timothy suggested.
“I am free for a few moments. We will wander round together.”
They found Lady Cynthia and Wilmore, and looked in at the supper-room,
where people were waiting now for tables, a babel of sound and gaiety.
The grounds and winter-gardens were crowded. Their guide led the way to
a large apartment on the other side of the hall, from which the sound of
music was proceeding.
“My theatre,” he said. “I wonder what is going on.”
They passed inside. There was a small stage with steps leading down to
the floor, easy-chairs and round tables everywhere, and waiters serving
refreshments. A girl was dancing. Sir Timothy watched her approvingly.
“Nadia Ellistoff,” he told them. “She was in the last Russian ballet,
and she is waiting now for the rest of the company to start again at
Covent Garden. You see, it is Metzger who plays there. They improvise.
Rather a wonderful performance, I think.”
They watched her breathlessly, a spirit in grey tulle, with great black
eyes now and then half closed.
“It is 'Wind before Dawn,'” Lady Cynthia whispered. “I heard him play it
two days after he composed it, only there are variations now. She is the
soul of the south wind.”
Public-domain text, read in full here on John Shaqi.
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