Adjoining St Christopher is the curious painting showing Herod's Feast, a very rare subject to be chosen for wall paintings. Although this picture has been so much restored the figures were very carefully traced out where only faint indications could be seen, so that it now presents the original work where it was not totally destroyed with considerable accuracy. It is really three scenes, although it appears as one. Herod's daughter is on the right performing a mediaeval tumble dance before the king and queen and their two guests, and on the left St John the Baptist is shown, still kneeling, although his head lies on the pavement. Salome is holding the charger against her breast. In the central portion of the picture she appears carrying the head of St John in the dish. The picture above this shows the coronation of the Virgin Mary, and the wall of heaven is higher still. The martyrdom of St Edmund in the next spandrel is a most realistic picture. The saint is tied to a tree and is pierced by fourteen arrows. The black-letter inscriptions read "Edmund Prync and martyr." "Heven blys to hes mede Hem sall have for hys gud ded" Above this picture is the painting already mentioned of St Thomas a Becket being approached by the four knights who are about to murder him. On the south side of the nave the chief part of the wall is given up to the legend of St Katherine of Alexandria. She was said to be the daughter of Costus, King of Alexandria, and was married to a son of Constantine Chlorius, the Roman Governor of York. The upper panel shows the temple of Serapis, and St Katherine endeavouring to convert the Emperor Maximin to Christianity. Further to the right she is shown entering the prison into which she was cast. The emperor, impressed both by her beauty and her arguments, endeavours with the help of several philosophers to persuade her to give up her belief in Christianity; they are, however, all converted by her, and soon after they are executed at the emperor's command. St Katherine is then stripped to the waist and beaten in the presence of the emperor, who is shown on the extreme right as well as the left of the second panel. After further imprisonment the saint is joined by the Empress Faustina, a new convert, who comforts the prisoner, and is shown joining with her in prayer. Further on, the emperor is shown testing the saint's faith by the wheel, but two angels appear, and having broken the wheels the attendants are overthrown. The last scene, in which St Katherine is kneeling, is so much "restored" that its interest is very much impaired. [Illustration: SOME OF THE WALL PAINTINGS ON THE NORTH WALL OF THE NAVE OF PICKERING CHURCH. THE MARTYRDOM OF ST THOMAS A BECKET. The Four Knights are seen approaching the "Turbulent Priest."] HEROD'S FEAST.