It is composed of three pictures. On the right, Salome is performing a "Tumble" dance before Herod, his queen, and two guests, while St John the Baptist is holding up a warning hand: In the centre, Salome has the head of St John in a charger, and on the left the execution is shown. [_The Copyright is reserved by Dr John L. Kirk._] ] The long and narrow series of pictures over the arches represents the seven corporal acts of mercy, namely, feeding the hungry, giving drink to the thirsty, compelling a stranger to come in, clothing the naked, visiting those in prison, visiting the sick, and burying the dead. Continuing in the same line appear representations of Christ in the Garden of Gethsemane, healing the ear of Malchus, Christ before Pilate, the scourging of our Lord, and then follow scenes of the Crucifixion, followed by the burial and resurrection. In the spandrel over the third pillar from the west the descent of Christ into Hades, represented by a great dragon's jaw, is shown. Adam holding an apple, and followed by Eve and many other spirits, is shown coming to meet our Lord. Between the clerestory windows there are three paintings which seem to belong to a series associated with the Virgin Mary. The first, which may represent the Assumption, has not been restored, and very little remains to be seen. The second, according to Mr Keyser, shows the burial, and on the coffin appears the Jewish Prince Belzeray, who is said to have interfered with the funeral by raising himself astride the coffin. The legend says that he became fixed to the pall, and only escaped after repentance and the united prayers of the apostles. Of the third picture only a portion remains, the upper part being new plaster, but the figures of some of the apostles who are shown may have been standing by the deathbed of the Virgin. The coronation scene already mentioned on the north side of the nave would thus complete a series of four pictures.