The evolution of general ideasRibot, Th. (Théodule)
Science
The evolution of general ideas
Ribot, Th. (Théodule)
Abstraction; Imagination
I have been describing the ordinary and principal form of the concrete
type. It consists in the immediate and spontaneous substitution of a
particular case (fact or individual) for the general term. In certain
observations a slightly different _variation_ may be detected; I have
encountered it among several historians and learned men. In the ordinary
type, the whole (general) is thought by means of the part (concrete); in
the variation, the thinking is by analogy, and the mechanism seems to be
reduced to pure association. A few examples will explain the distinction.
The replies in duplicate were given by different persons. _Number_:
the “Language of Calculation,” Pythagoras. _Cause_: Hume’s theory of
causality; Kant’s theory. _Law_: the “Tables of Malaga,” Montesquieu’s
definition. _Color_: the chemistry of the spectrum. _Justice_: Littré’s
definition. _Animal_: the πὲρι ψυχῆς of Aristotle. _Time_: a vague
metaphysical theory. _Relation_: discussion of Ampère and Tracy on
this subject. _Infinity_: books on mathematics. _Color_: treatises of
photography, etc.
It might be objected that there is a certain association in ordinary
cases as in these; but the distinction will readily be perceived. The
former proceed from that which contains, to the content—from the class
to the fact: they think the whole by means of the part; there is an
internal association. The latter form associations beside and from
without. Apparently these do not reach to the concrete, they stop half
way; for a complete generality they substitute a semi-generality. Further
than this, my data are neither sufficiently numerous, nor clear enough,
for the point to be insisted on.
2. VISUAL TYPOGRAPHIC TYPE. Nothing is easier to define. In its pure form
it consists in seeing printed words and nothing more; in three cases
words were seen _written_. Among some the vision of the printed words
was accompanied by a concrete image as in the first type, but only for
semi-concrete concepts (dog, animal, color); for the higher abstracts
(time, cause, infinity, etc.) the typographical vision alone exists.[82]
This mode of representation is widely distributed among those who have
read much; but there are many exceptions.
No doubt many of my readers will discover from self-observation that
they belong to this type. I have further noticed that all who have this
mode of representation regard it as normal, and necessary, in anyone who
knows how to read. This is a fallacy. I do not possess it myself in the
faintest degree, and have met many others who resemble me.
Thus I was little prepared to discover this type; and had even reached
my thirtieth observation without suspecting it, when I encountered such
a clear case as to put me on the track. I was interrogating a well-known
physiologist. To every word except _Law_ and _Form_, he replied “I see
them in printed characters” and was able to describe these accurately.
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