The evolution of general ideasRibot, Th. (Théodule)
Science
The evolution of general ideas
Ribot, Th. (Théodule)
Abstraction; Imagination
configuration, or construction, and proceeding by simple analysis with
the aid of signs: which (with the necessary corrections and descriptions)
would bring the first under the concrete, and the second under the
audito-motor type. Among metaphysicians the typographical visual type
seems largely to predominate. One (who is well known) belongs to the pure
auditory type. All this, however, is inadequate; the investigation would
have to be followed out, by and upon others.
A young Russian doctor, M. Adam Wizel, who was interested in the subject,
put the same questions (following the method indicated above) to persons
in the hypnotic state. Admitting the unconscious mental activities
to preponderate in this state he asked whether by this procedure it
would not be possible to penetrate farther into the unknown substrate
of consciousness. His experiments were undertaken at the Salpêtrière,
in Charcot’s clinique, upon six women—hysterics of the first order.
The subjects were first put into a state of somnambulism, then after a
preliminary explanation were questioned, as above. After getting the
answers Wizel ordered the subjects to forget all that had happened, and
then woke them. He now began again in the waking state, asking the same
questions, so that he was able to compare the answers given successively
in the two cases. They are nearly always clearer and more explicit during
somnambulism than during the waking state, as may be judged by the
following example (taken from the third observation):
QUESTIONS SOMNAMBULISM WAKING STATE
Dog: A big grey animal Nothing
Form: A red cardboard head Nothing
Law: A tribunal Nothing
Justice: A magistrate State of justice
Number: Figure 12 in white The number of a note (?)
Color: Green Blue
Where the replies are concrete in the two cases I note a tolerable
analogy between them. M. Wizel (who eliminated all doubtful cases,
and any accompanied by crises) never encountered the typographical
visual type, nor the pure auditory type, in his experiments. His
six hysterics belong to the concrete type, with the predominance of
_visual_ images—much more rarely of motor images, provoked by the word
“force.” The answer “nothing” is very frequent; less so, however, during
somnambulism than during the waking state.
II.
Public-domain text, read in full here on John Shaqi.
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