Thou enterest through eye and ear,
Senses and soul pervading,
Thou givest to the heart great cheer,
A guerdon dear,
A glory never fading.
The poet who wrote of Isolde's love potion here calls the Queen of
Heaven a _potion sweet of love_, a strange metaphor to use in connection
with the Mary of dogma. Another characteristic frequently alluded to is
her _sweet perfume_, an attribute which we to-day do not look upon as
exclusively celestial.
Quaintly delicate and tender are the love-songs of Brother Hans, an
otherwise unknown monk of the fourteenth century. He himself tells us
that he deserted his earthly mistress for the Queen of Heaven. Perhaps
the dualism between earthly and transcendent love has never been
expressed more clearly than by him; for in his case the worshipping love
did not gradually lead up to Mary, the essence of womanhood, but an
earthly love had to be killed so that the pure heavenly love could live.
Mary! Gentle mistress mine!
I humbly kneel before you;
All my heart and soul are thine.
And:
Oh, Mary! Secret fountain,
Closed garden of delight,
The Prince of Heaven mirrors
Him in thy beauty bright.
But after describing all the joys of heaven, Brother Hans comes to the
conclusion that a man knows about as much of celestial matters as an ox
knows of discant singing.
His relationship to Mary is tender, intimate and familiar:
Within my heart concealed
There is a secret cell;
At nightfall and at daybreak
My lady there does dwell.
The mistress of the house is she,
I feel her love and care about.
If she denies herself to me,
Methinks the mistress has gone out.
In another poem he prays to Mary to allow him to tear off a small piece
of her robe, so that he may keep himself warm with it in the winter.
Like Cino da Pistoia, who commended his dying soul not to God but to his
loved one, Brother Hans commends himself to Mary:
Thus I commend my soul into thy hands,
When it must journey to those unknown lands,
Where roads and paths are new and strange to it.
And:
Oh, come to me, thou Bride of God,
When my faint soul departs from me!
Public-domain text, read in full here on John Shaqi.
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