Every strong love which finds no response is fraught with the
possibility of an infinite unfolding; it may powerfully seize the whole
soul and make life a tragedy. But this tragedy is not of the very
essence of tragedy, inasmuch as here we have merely love confronted by
an unsurmountable obstacle, meeting and overwhelming it; the discord is
not inherent. Many a lover suffering from unrequited love, is born with
the tendency to become unhappy, with a secret will to the voluptuousness
of pain and melancholy; he will enjoy his unhappiness, perhaps become
productive through it. Thus, this deliberately unhappy love may be
regarded as an analogy to genuine metaphysical eroticism. For the
worship of woman is in its essence infinite striving; its object is
always unattainable, an illusion. Every earthly love, even if it finds
no response at all, may, in principle, be gratified, and is only unhappy
if external circumstances intervene. But the love of the Madonna is in
itself fraught with the tragic impossibility of requital; its foundation
is the recognition, or divination, of the fact that mortal women are too
insignificant for a passion which yearns for infinitude. A lover filled
with the longing to glorify a woman and worship her as a divine being,
has frequently experienced a certain disappointment. The beloved may
have died young--as did Beatrice--without his ever having come into
close contact with her; instinctively his soul turns heavenward--and
imagination has ample scope to transform and transfigure the dead. Or he
may have been disappointed in his mistress; it may have been that he,
attuned to pure, spiritual love, has found her all too human. He flees
from reality into the world of dreams, and envelops her with the veil of
mysteriousness and divinity. Purely spiritual love is an intense
emotion, and as men and women of flesh and blood cannot always live at
high pressure, hours of dejection and disappointment will necessarily
have to be experienced. The soul takes refuge in an illusion which
becomes more and more an end in itself, and gradually the lover creates
an inaccessibly lofty, celestial woman. For purely spiritual love
aspires to absolute transcendency; it cannot bear contact with every-day
life. The psychologists of the present day tell us that a feeling, in
becoming spiritualised, loses strength,--history teaches us that in the
case of great souls the opposite is the rule.
Public-domain text, read in full here on John Shaqi.
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