The worship of woman found its climax in Dante. Through the work of his youth, the _Vita Nuova_ and his masterpiece, _The Divine Comedy_, we can trace step by step the stages of the road, beginning with a glimpse of a young girl in Florence, and ending with the incorporation of a woman into the world-system. We are face to face with an extraordinary process of evolution. The young girl he had seen a few times, and who died in her youth, goes on growing and developing in his soul, until, at last, in him the will to raise woman above time into eternity, the will to make her a member of the divine system, reaches its full realisation. What had been begun by the troubadours and fully comprehended by the poets of the _sweet new style_, reached completion in Dante, and, was henceforth an eternal value for all humanity. We see that the later troubadours were inclined to blend the lady of their heart with the universal Lady of Heaven; the need of deifying the loved woman was at the root of many dubious growths, and possibly these early poets were also to some extent influenced by their dread of the Inquisition (which never gained much importance in Italy). The new poets deepened this feeling, stripped it of all externalities, and appeared before the adored simply as lovers. They did not require the dogmatic support of the Church, their own feeling was sufficient guarantee. Dante, moreover, was possessed by a craving for an absolutely perfect and consistent world-system, and had, besides, the power to build it up and people it with sublime intelligences. And in this system, the crown and perfection of the mediaeval-Catholic conception of the universe, he assigned to the love of his youth a high and permanent place by the side of the deities. Dante thus raised his individual feeling to a universal dogma, and enriched the Catholic heaven by his personal love. What for two hundred years had been a dream and a desire, had become a matter of faith and truth. Now, and not until now, love and religion were one; the love of a woman had been included in the system of eternal verities, and had become identical with the love of immortality. "Love which moves the sun and all the stars" was acknowledged as a fundamental feeling. The anchoring of the subjective in the eternal was achieved in this metaphysical setting: the deification of the beloved; and no greater gift was ever vouchsafed to man than the creation of metaphysically true beings and values. All that had been done before had merely prepared the ground for this great deed: the enshrinement of the beloved in the heart of the divine secrets.