The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
conception of the grandeur and vastness of these mighty cataracts. No
poem has ever suggested a shadow of their majesty and sublimity. No
painting has ever excited in the mind, of one that has not seen those
marvellous works of God, the faintest idea of their dazzling beauties.
Descriptive writers, both in prose and verse, have failed to depict the
glories of this "Sovereign of the World of Floods." Painters have
essayed with their most gorgeous colours, but have fallen far short of
the intense beauty, transparency, and purity of the water, and the
wonderful radiance and brilliancy of the "Rainbow in the Mist." And I
fear the beauties of Niagara in natural colours can never be obtained in
the camera; but what a glorious triumph for photography if they were.
Mr. Church's picture, painted a few years ago, is the most faithful
exponent of nature's gorgeous colouring of Niagara that has yet been
produced. Indeed, the brilliant and harmonious colouring of this grand
picture can scarcely be surpassed by the hand and skill of man.
After obtaining our views of the Grand Rapids and the Falls from Table
Rock, we put up our traps, and leaving them in charge of the courteous
proprietor of the Museum, we prepared to go _under_ the great Horse Shoe
Fall. Clothing ourselves in india-rubber suits, furnished by our guide,
we descended the stairs near Table Rock, eighty-seven steps, and, led by
a negro, we went under the great sheet of water as far as we could go to
Termination Rock, and standing there for a while in that vast cave of
watery darkness, holding on to the negro's hand, we felt lost in wonder
and amazement, but not fear. How long we might have remained in that
bewildering situation it would be impossible to say, but being gently
drawn back by our sable conductor, we returned to the light and
consciousness of our position. The volume of water being much greater
here than at the Cave of the Winds, and the spray being all around, we
could not see anything but darkness visible below, and an immense moving
mass before, which we knew by feeling to be water. There is some
fascination about the place, for after coming out into the daylight I
went back again alone, but the guide, hurrying after me, brought me
back, and held my hand until we reached the stairs to return to the
Museum. On our way back our guide told us that more than "twice-told
tale" of Niagara and Vesuvius. If I may be pardoned for mixing up the
ridiculous with the sublime, I may as well repeat the story, for having
just come from under the Falls we were prepared to believe the truth of
it, if the geographical difficulty could have been overcome. An Italian
visiting the Falls and going under the Horse Shoe, was asked, on coming
out, what he thought of the sight. The Italian replied it was very grand
and wonderful, but _nothing_ to the sight of Mount Vesuvius in a grand
eruption. The guide's retort was, "I guess if you bring _your_ Vesuvius
Public-domain text, read in full here on John Shaqi.
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