The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
There is abundance of work for the camera at all times of the year on
the St. Lawrence; I have seen it in summer and autumn, and have
attempted to describe some of its attractions. And I was told that when
the river--not the rapids--is ice-bound, the banks covered with snow,
and the trees clad in icicles, they present a beautiful scene in the
sunshine. And in the spring, when the ice is breaking up, and the floes
piling high on one another, it is a splendid sight to see them coming
down, hurled about and smashed in the rapids, showing that the water in
its liquid state is by far the most powerful. But now we are coming to
the most exciting part of our voyage. The steam is shut off, the engine
motionless, the paddle-wheels are still, and we are gliding swiftly and
noiselessly down with the current. Yonder speck on the waters is the
Indian coming in his canoe to pilot us down the dangerous rapids. We
near each other, and he can now be seen paddling swiftly, and his canoe
shoots like an arrow towards us. Now he is alongside, he leaps lightly
on board, his canoe is drawn up after him, and he takes command of the
"boat." Everybody on board knows the critical moment is approaching. The
passengers gather "forward," the ladies cling to the arms of their
natural protectors, conversation is stopped, the countenances of
everyone exhibit intense excitement and anxiety, and every eye is "fixed
ahead," or oscillating between the pilot and the rushing waters which
can now be seen from the prow of the vessel. The Indian and three other
men are at the wheel in the "pilot house," holding the helm "steady,"
and we are rushing down the stream unaided by any other propelling power
than the force of the current, at a rate of twenty miles an hour. Now we
hear the rushing and plunging sound of the waters, and in a moment the
keen eye of the Indian catches sight of the land mark, which is the
signal for putting the helm "hard a port;" the wheel flies round like
lightning, and we are instantly dropped down a perpendicular fall of ten
or twelve feet, the vessel careening almost on her "beam ends," in the
midst of these wild, white waters, an immense rock or rocky island right
ahead. But that is safely "rounded," and we are again in comparatively
quiet water. The steam is turned into the cylinders, and we go on our
course in a sober, sensible, and steamboat-like fashion. When we were
safely past the rapids and round the rock, a gentleman remarked to me
that "once in a lifetime was enough of that." It was interesting to
watch the countenances of the passengers, and mark the difference of
expression before and after the passage of the rapids. Before, it was
all excitement and anxiety, mingled with a wish-it-was-over sort of
look; and all were silent. After, everybody laughed and talked, and
seemed delighted at having passed the _Lachine_ Rapids in safety; yet
most people are anxious to undergo the excitement and incur the risk and
danger of the passage.
Public-domain text, read in full here on John Shaqi.
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