The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Down through the gorges of these mountains came a blast like the sound
from a brazen trumpet, which electrified the photographers of the day.
Among these hills resided the Rev. Levi Hill, who lately died in New
York, the so-called inventor or discoverer of the Hillotype, or
Daguerreotypes in natural colours. So much were the "Daguerreans" of New
York startled by the announcement of this wonderful discovery, that they
formed themselves into a sort of company to buy up the _highly coloured_
invention. A deputation of some of the most respectable and influential
Daguerreotypists of New York was appointed to wait upon the reverend
discoverer, and offer him I don't remember how many thousand dollars for
his discovery as it stood; and it is said that he showed them specimens
of "coloured Daguerreotypes,"--but refused to sell or impart to them the
secret until he had completed his discovery, and made it perfect by
working out the mode of producing the only lacking colour, chrome
yellow. But in that he never succeeded, and so this wonderful discovery
was neither given nor sold to the world. Many believed the truth of the
man's statements--whether he believed it himself or not, God only knows.
One skilful Daguerreotypist, in the State of New York, assured me he had
seen the specimens, and had seen the rev. gentleman at work in his
laboratory labouring and "buffing" away at a mass of something like a
piece of lava, until by dint of hard rubbing and scrubbing the colours
were said to "appear like spirits," one by one, until all but the
stubborn chrome yellow showed themselves on the surface. I could not
help laughing at my friend's statement and evident credulity, but after
seeing "jumping Quakers," disciples of Joe Smith, and believers in the
doctrine of Johanna Southcote, I could not be much surprised at any
creed either in art or religion, or that men should fall into error in
the Hillotype faith as easily as into errors of ethics or morality. I
was assured by my friend (not my travelling companion) that they were
beautiful specimens of colouring. Granted; but that did not prove that
they were not done by hand. Indeed, a suspicion got abroad that the
specimens shown by Mr. Hill were _hand-coloured_ pictures brought from
Europe. And from all that I could learn they were more like the
beautifully coloured Daguerreotypes of M. Mansion, who was then
colourist to Mr. Beard, than anything else I could see or hear of. Being
no mean hand myself at colouring a Daguerreotype in those days, I was
most anxious to see one of those wonderful specimens of "photography in
natural colours," but I never could; and the inventor lived in such an
out-of-the way place, among the Catskills, that I had no opportunity of
paying him a visit. I have every reason to believe that the
hand-coloured pictures by M. Mansion and myself were the only Hillotypes
that were ever exhibited in America. Many of my coloured Daguerreotypes
Public-domain text, read in full here on John Shaqi.
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