The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
The same harmonious fellowship influenced the appearance and actions of
all; and at that happy conjuncture I made my first acquaintance with
Washington, the capital of the United States. I shall not attempt a
description of its geographical position: everybody knows that it is in
the district of Columbia, and on the banks of the Potomac. It is a city
of vast and pretentious appearance, straggling over an unnecessary
amount of ground, and is divided into avenues and streets. The avenues
are named after the principal States, and take their spring from the
Capitol, running off in all directions in angular form, like the spokes
of a wheel, the Capitol being the "angular point." The streets running
between and across the avenues rejoice in the euphonious names of First,
Second, and Third, and A, B, and C streets, the straight lines of which
are broken by trees of the most luxurious growth all along the
side-walks. These trees form a delightful sun-shade in summer, and have
a very novel and pleasing effect at night, when their green and leafy
arches are illuminated by the gas lamps underneath.
Excepting the Capitol, White House, Court House, Post Office, Patent
Office, and Smithsonian Institute, there is nothing in the city of
photographic interest. The "United States," the "National," and
"Willards," are large and commodious hotels on Pennsylvania Avenue; but
not worth a plate, photographically speaking, unless the landlords wish
to illustrate their bar bills. The Capitol is out of all proportion the
largest and most imposing structure in Washington--it may safely be said
in the United States. Situated on an elevated site, at the top of
Pennsylvania Avenue, it forms a grand termination to that noble
thoroughfare at its eastern extremity. The building consists of a grand
centre of freestone painted white, surmounted by a vast dome of
beautiful proportions. Two large wings of white marble complete the
grand façade. Ascending the noble flight of marble steps to the
principal entrance, the great portico is reached, which is supported by
about eighteen Corinthian columns. The pediment is ornamented with a
statue of America in the centre, with the figures of Faith on her left,
and Justice on her right. On each side of the entrance is a group of
statuary. On one side an Indian savage is about to massacre a mother and
her child, but his arm is arrested by the figure of Civilization. On the
other side the group consists of a man holding up a globe, representing
Columbus and the figure of an Indian girl looking up to it.
Public-domain text, read in full here on John Shaqi.
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