The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Passing Llanfairfechan and Aber we are at Bangor, and almost immediately
afterwards make a dive into the long, dark chamber of the Tubular
Bridge, with a shriek and rumbling rattle that is almost startling. In
a few seconds we are out into the daylight again, and get a view of the
Straits of Menai; and on the right-hand side, looking back, get an
excellent sight of the Tubular Bridge. At the moment of our passing, a
ship in full sail was running before the wind through the Straits, which
added considerably to the picturesque beauty of the scene. On the left a
fine view of the "Suspension Bridge" is obtained. We are soon past
Llanfair, and across that bleak and desolate part of the island of
Anglesea between the Menai Straits and the Valley. Arriving at Holyhead,
we go on board the steamer which is to carry us across the Channel to
Dublin. The boat not starting immediately, but giving us a little time
to look around, we go on shore again, and saunter up and down the narrow
hilly streets of Holyhead, listening in vain for the sound of a word
spoken in our mother tongue. Not a word could we hear, not a word of
English could we get without asking for it. The most of the people can
speak English with a foreign-like accent, but you seldom hear it unless
you address them in English. Even the urchins in the streets carry on
their games and play in the Welsh and unintelligible sounds resembling
language.
We also had time to examine the stupendous breakwater which the
Government is building at Holyhead to form a harbour of refuge. The wall
is a mile and three-quarters in length, and of immense thickness, in the
form of three terraces, the highest towards the sea. At one place we
noticed that the solid slatey rocks were hewn and dressed into shape,
and thus formed part of the wall itself, a mixture of Nature's handiwork
and the work of man.
Public-domain text, read in full here on John Shaqi.
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