The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
But, before proceeding farther, let me ask--Has such a thing as a triple
alliance ever been considered? Has it been ascertained that an amicable
amalgamation with the Photographic Society of London is impossible? If
so, what are the motives of the proposers of the union of the North and
South London Societies? Do they wish to form a more powerful antagonism
to the other society, or do they simply and purely wish to further the
advancement of our art-science, and not to gratify personal pique or
wounded pride? I do not wish to impute such unworthy motives to anyone;
but it does seem singular that the proposition should come from the
Chairman of the North London Photographic Association almost
simultaneously with the resignation of his seat at the council board of
the Parent Society.
If, however, the motives are pure, honest, and earnest, I heartily
approve of the suggestion as a step in the right direction, although I
candidly admit that I would much rather see all the societies united in
one, and fully believe that that would be the most advantageous
arrangement that could possibly be made for all concerned.--I am,
yours, &c.,
Union Jack (J. Werge).
_London, February 18th, 1867._
UNION OF THE LONDON PHOTOGRAPHIC SOCIETIES.
_To the Editors of the British Journal._
Gentlemen,--Perhaps I am in courtesy bound to answer the questions of
your correspondents, Mr. Homersham and "Blue Pendant," but in
self-justification I do not think it necessary, for it turns out that my
suspicions of antagonism to the Parent Society were well founded; and,
from their remarks, and the observations of your contributor "D.," I
learn that the disaffection is more widely spread than I at first
thought it was.
I may have been wrong in suspecting the Chairman of the North London
Photographic Association of unworthy motives; if so, I frankly beg that
gentleman's pardon. But I am not wrong in suspecting that antagonism is
mixed up with the movement.
Your contributor "D." chooses to construe my unwillingness to make a
direct charge--my hope that there were no such unworthy motives--into
timidity; but I beg to remind "D." that there is not much, if any, of
that apparent in my putting the plain questions I did, which,
by-the-by, have not yet been very satisfactorily answered.
I flatter myself that I know when and how to do battle, and when to sue
for peace, as well as any in the service under whose flag I have the
honour to sail; and I, as much as anyone, admire the man that can fight
courageously when in the right, or apologise gracefully when in the
wrong; but, as the object of this correspondence is neither to make
recriminations, nor indulge in personal abuse, I return to the primary
consideration of the subject, and endeavour to sift the motives of the
movers of the proposition to unite the North and South London Societies,
and ascertain, if possible, whether they have the good of those
societies and the furtherance of photography really at heart or not.
Public-domain text, read in full here on John Shaqi.
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years — John Shaqi
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