The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Dear Mr. Editor,--My quill is as restless as my wing, and, as I skim
about like the swallows, many things fall under my observation that
would otherwise not do so, some of which are noteworthy and of interest
to the photographic profession, many are not; but harvest time is
interesting to everyone, and it is of this I am going to make a few
remarks. It is always a subject of grave importance and anxiety to a
nation like ours, with a very limited area of cereal land, until it is
known whether the harvest has been abundant or otherwise. It is also
equally important that the harvest, however plentiful, should be
carefully reaped and garnered, so that famine may not fall upon the
people before another season of plenty shall come in its course. The
cereal harvest is over, and has been wonderfully abundant, in spite of
the unusually long, dry, and hot summer. The stack-yards are full, and
the granaries are teeming with plenty, and there is bread enough for all
that can afford to buy. There, that is the qualification that brings to
my mind the most serious part of this subject. Although the season has
been wonderfully fine and favourable for a rich harvest of all things,
"famine is in our midst." A cry of woe is mingled with our mirth. A
glorious summer and autumn have, on the whole, yielded a rich reward to
the labourers in the pleasant and profitable fields of photography; yet
there is want among some of the workers. In the columns of your
contemporary I observe a letter "begging alms" on behalf of a poor widow
and her little orphans. It is a case of pure charity, and far be it from
me to say to anyone, "Do not help her;" "They have no claim on the
sympathies of the photographic public;" "Neither she nor her late
husband did anything to forward the progress of the art nor advance the
interests of photographers in general." I grant the latter hypothesis,
and say, "He that giveth to the poor lendeth to the Lord." Nevertheless,
I cannot refrain from expressing my opinion that such painful appeals
should not be allowed to appear in the columns of the photographic
journals; all such private cases could and should be provided for by any
of the provident organisations so common to other trades. The subject
has been frequently mooted in your own columns, but no action has been
taken. Very recently a lady correspondent called attention to the
subject again, and now, in the pages of your contemporary, I notice an
elaborate plan is laid down as the ground-work of a Photographers'
Provident and Benevolent Society. That plan is open to some objections,
but it is certainly desirable that such a society should be formed. It
is rather late in the season for photographers to make any provision for
cases 1 and 2, as the correspondent in your contemporary suggests--this
year, at least; but I think his other plan of making a provision,
however small, for widows and orphans is highly to be commended, and, if
Public-domain text, read in full here on John Shaqi.
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