The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
"These four persons had perished in the streets. Driven from their
homes, they sought to flee when it was too late. These victims of the
eruption were not found together, and they do not appear to have
belonged to the same family or household. The most interesting of the
casts is that of two women, probably mother and daughter, lying feet to
feet; they appear from their garb to have been people of poor condition.
The elder seems to lie tranquilly on her side, overcome by the noxious
gases. She probably fell and died without a struggle. Her limbs are
extended, and her left arm drops loosely. On one finger is still seen
her coarse iron ring. Her child was a girl of fifteen; she seems,
poor thing, to have struggled hard for life. Her legs are drawn up
convulsively. Her little hands are clenched in agony. In one she holds
her veil, or part of her dress with which she had covered her head,
burying her face in her arms to shield herself from the falling ashes
and from the foul, sulphurous smoke. The form of her head is perfectly
preserved. The texture of her coarse linen garments may be traced, and
even the fashion of her dress, with its long sleeves reaching to her
wrists. Here and there it is torn, and the smooth young skin appears in
the plaster like polished marble. On her tiny feet may still be seen her
embroidered sandals. At some distance from this group lay a third woman,
apparently about the age of twenty-five, and belonging to a better
class. Silver rings were on her fingers. She lay on her side, and had
died in great agony. Her garments had been gathered up on one side,
leaving exposed a limb of the most beautiful form. She had fled with her
little treasure, two silver cups, a few jewels, and some silver coins,
and her keys, like a careful matron. The fourth cast is that of a man of
the people, perhaps a common soldier. He is almost of colossal size. He
lies on his back, his arms extended by his side, and his feet stretched
out, as if, finding escape impossible, he had laid himself down to meet
death like a brave man. His dress consists of a short coat or jerkin,
and tight-fitting breeches of some coarse stuff, perhaps leather; heavy
sandals, with soles studded with nails, are laced tightly round his
ankles. On one finger is seen his iron ring. His features are strongly
marked, his mouth open, as in death. Some of his teeth still remain, and
even part of the moustache adheres to the plaster."
Public-domain text, read in full here on John Shaqi.
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