The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Make a very dilute solution of sulphuret of potassium, put it into any
old gutta-percha or porcelain bath; and, after the negative is developed
as far as is desirable with the ordinary iron developer, fixed, and
washed in the usual way, immerse the plate in that state at once into
the solution of sulphuret of potassium, in the same manner as in
sensitising the plate in the nitrate bath, by using a dipper, and leave
it there until sufficiently intense, which is generally in about the
time required for coating and sensitising another plate, so that, if the
operator be working single-handed, very little, if any, time is lost in
the process of intensifying.
The solution may also be flooded over the plate in the same manner as
the developer, after fixing and washing as before.
When sufficiently intense, rinse the plate with water, dry, and varnish
in the ordinary way. But it is best to use the intensifier in the manner
first described, which is by far the most cleanly and economical plan,
both in the saving of time and solution. By using it with the "bath and
dipper," it is not offensive, on account of its extreme dilution, and
not being disturbed so much, or immediately under the olfactory nerves
of the operator, it may be worked in the ordinary dark room with the
greatest safety and convenience.
A STRING OF OLD BEADS.
He is a rash man who announces "something new" in these days. I believe
there is nothing new under the sun, and in photography especially. If
any man be rash enough to rush into print with what he considers a new
idea, some other man rushes into print also and says the idea is old,
exploded, useless, worthless, or worse.
I lay no claim to originality. I have lived so long in the atmosphere of
photography, I don't know where or how I picked up my knowledge--such as
it is. Some of it I may have stumbled on, some of it I may have found,
and some of it I may have stolen. If the latter, I forget from whom,
when, or where, and in all such cases a bad memory is a good and
convenient thing. But I will endeavour to atone for such sins by
publicly restoring all I may have filched from other men's brains for
the benefit of all whom it may concern. I shall not count the beads;
that would be like running over a rosary, and I object to sub rosa
revelations; neither shall I attend to the order of stringing the beads,
but will put them on record just as they come to hand; and the first
is--
Public-domain text, read in full here on John Shaqi.
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