Sismondi, in his _Short History_, pp. 147, 148, seems to represent the episode as wholly one of wanton popular caprice and venality, even representing that Duke Gaultier was only by chance in the city. The narrative of Machiavelli explicitly sets forth how he came through the appeal of the Commission of Twenty; how the nobility and some of the _bourgeoisie_ conspired with him; and how the populace were worked upon by the conspirators. The public acclamation, bad as it was, had been carefully subsidised. The middle class, whose war policy, however, had brought the city into such danger, were far more guilty than the mostly unenfranchised populace. Sismondi had latterly an undue faith in the principle of middle-class rule. (Cp. Mr. Boulting's Memoir in his recast of the _Républiques_, p. xxiv.) In his _Histoire des républiques italiennes_ (v, 329-53) he sets forth the financial corruption of the middle-class rulers (p. 330), and recognises that they and the aristocrats were alike dangerous to liberty. Cp. as to his change of front, F. Morin, _Origines de la démocratie_, 3e édit. 1865, introd. pp. 17-18. Within a year, partly on the sudden pressure of a scarcity, the tyrant was overthrown, after having wrung from Florence 400,000 florins and infuriated all classes against him and his race. Not the least of his offences was his conclusion of a peace with Pisa, by which she for a given period was to rule over Lucca. The rising against him was universal. Three of his henchmen were literally torn to pieces with hands and teeth: a madness of fury which was only too profoundly in keeping with the self-abandonment that had placed the tyrant in power. The political organism was beginning to disintegrate. A new constitution was set up, with a leaning to aristocracy, which was soon upset by the middle class, who in turn established yet another. The nobles, believing the populace to be hostile to the _bourgeoisie_, attempted anew a revolution, and were utterly crushed. And now began, according to the greatest of the publicists of the Renaissance, the final enfeeblement of Florence, in that the ruin of the nobility, whose one merit had been their fighting power, led to the abandonment of all military exercise.[617] Yet Florence a generation later made vigorous war under a "committee," and in the meantime at least the city tasted domestic peace and grew in civilisation. And though we doubtless exaggerate when we conceive of a transition from what we are apt to figure as the fierce and laughterless Florence of Dante to the gay Florence of the Medici, it is hard to hold that life was worsened when men changed the ways which made them collectively capable of rending with their teeth the carcases of those they hated, and which left the Viscontis of Milan capable of torturing their political prisoners to death through forty days.