The Evolution of the Idea of God: An Inquiry Into the Origins of ReligionsAllen, Grant
Religion
The Evolution of the Idea of God: An Inquiry Into the Origins of Religions
Allen, Grant
God; Religion
To pass on to more unequivocal cases of stake-worship, where we can
hardly doubt that the stake represents a dead man, Captain Cook noticed
that in the Society Islands “the carved wooden images at burial-places
were not considered mere memorials, but abodes into which the souls of
the departed retired.” So Ellis observes of Polynesians generally that
the sacred objects might be either mere stocks and stones, or carved
wooden images, from six to eight feet long down to as many inches. Some
of these were to represent “tu,” divine manes or spirits of the
dead; while others were to represent “tu,” or deities of higher
rank and power. To my mind, this is almost a distinction without a
difference; the first being ghosts of recently deceased ancestors, the
second ghosts of remoter progenitors. The ancient Araucanians again
fixed over a tomb an upright log, “rudely carved to represent the
human frame.” After the death of New Zealand chiefs, wooden images,
20 to 40 feet high, were erected as monuments. I might easily multiply
instances; but I refrain lest the list grow tedious.
Dr. Codrington notes that the large mouths and lolling tongues of many
New Zealand and Polynesian gods are due to the habit of smearing the
mouth with blood and other offerings.
Where men preserve the corpses of their dead, images are not so likely
to grow up; but where fear of the dead has brought about the practice of
burial or burning, it is reasonable that the feelings of affection
which prompted gifts and endearments to the mummy in the first stage
of thought should seek some similar material outlet under the altered
circumstances. Among ourselves, a photograph, a portrait, the toys of
a dead child, are preserved and cherished. Among savages, ruder
representations become necessary. They bury the actual corpse safely
out of sight, but make some rough wooden imitation to represent {133}it.
Thus it does not surprise us to find that while the Marianne Islanders
keep the dried bodies of their dead ancestors in their huts as household
gods, and expect them to give oracles out of their skulls, the New
Zealanders, on the other hand, “set up memorial idols of deceased
persons near the burial-place, talking affectionately to them as if
still alive, and casting garments to them when they pass by,” while
they also “preserve in their houses small carved wooden images, each
dedicated to the spirit of an ancestor.” The Coast Negroes “place
several earthen images on the graves.” Some Papuans, “after a grave
is filled up, collect round an idol, and offer provisions to it.” The
Javans dress up an image in the clothes of the deceased. So, too, of the
Caribs of the West Indies, we learn that they “carved little images in
the shape in which they believed spirits to have appeared to them; and
some human figures bore the names of ancestors in memory of them.”
From such little images, obviously substituted for the dead body which
Public-domain text, read in full here on John Shaqi.
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