The Evolution of the Idea of God: An Inquiry Into the Origins of ReligionsAllen, Grant
Religion
The Evolution of the Idea of God: An Inquiry Into the Origins of Religions
Allen, Grant
God; Religion
Mannhardt has collected much evidence of the curious customs still (or
lately) existing in modern Europe, which look like survivals in a very
mitigated form of the same superstition. These are generally known by
the name of “Carrying out Death,” or “Burying the Carnival.”
They are practised in almost every country of Europe, and relics of them
survive even in England. The essence of these ceremonies consists in an
effigy being substituted for the human victim. This effigy is treated
much as the victim used to be. Sometimes it is burned, sometimes thrown
into a river, and sometimes buried piecemeal. In Austrian Silesia,
for example, the effigy is burned, and while it is burning a general
struggle takes place for the pieces, which are pulled out of the flames
with bare hands. (Compare the struggle among the Khonds, and also at
the Potraj festival and the Holne sacrifice.) Each person who secures
a fragment of the figure ties it to a branch of the largest tree in his
garden, or buries it in his field, in the {294}belief that this causes
the crops to grow better. Sometimes a sheaf of corn does duty for the
victim, and portions of it are buried in each field as fertilisers. In
the Hartz Mountains, at similar ceremonies, a living man is laid on a
baking-trough and carried with dirges to a grave; but a glass of brandy
is substituted for him at the last moment. Here the spirit is the
equivalent of a god. In other cases the man is actually covered with
straw, and so lightly buried. In Italy and Spain, a similar custom bore
the name of “Sawing the Old Woman.” In Palermo, a real old woman was
drawn through the streets on a cart, and made to mount a scaffold, where
two mock executioners proceeded to saw through a bladder of blood which
had been fitted to her neck. The blood gushed out, and the old woman
pretended to swoon and die. This is obviously a mitigation of a human
sacrifice. At Florence, an effigy stuffed with walnuts and dried figs
represented the Old Woman. At mid-Lent, this figure was sawn through the
middle in the Mercato Nuovo, and when the dried fruits tumbled out they
were scrambled for by the crowd, as savages scrambled for fragments of
the human victim or his animal representative. Upon all this subject a
mass of material has been collected by Mannhardt and Mr. Frazer. Perhaps
the most interesting case of all is the Russian ceremony of the Funeral
of Yarilo. In this instance, the people chose an old man and gave him
a small coffin containing a figure representing Yarilo. This he carried
out of the town, followed by women chanting dirges, as the Syrian women
mourned for Adonis, and the Egyptians for Osiris. In the open fields
a grave was dug, and into it the figure was lowered amid weeping and
wailing.
Public-domain text, read in full here on John Shaqi.
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