Whoever has seen the Gould Collection of humming-birds in London must
have observed with amazement that among the 130 or so species of these
beautiful little birds nearly every group of feathers in the body has
been affected by the decorative colouring. In one species the little
feathers on the region of the throat are emerald green, metallic blue,
or rose; in another the feathers of the neck have been transformed into
an erectile collar of rose-coloured feathers with a metallic sheen; or,
again, it is the little feathers round the ear that stand erect and are
brilliantly coloured. Sometimes we find that the feathers of the tail
are lengthened, it may be only two of them, or the various lengths may
be graduated like steps; sometimes the tail has assumed the form of a
wedge, or is fan-like, or is shaped like the tail of a swallow, and all
this in combination with the most diverse colours and patterns, black
and white, ultramarine blue, and so forth. Or it may be the outermost
tail-feathers which are the longest, the inner ones the shortest, or
the four outer feathers are broad, pointed, directed outwards, and only
half as long as the other two, which are very long and straight. Some
species exhibit a sort of fine swan's down on the legs, others have a
gorgeous metallic red cap on the head--in short, the variety is beyond
description, just as we should expect it to be if now this and now that
chance variation attracted the favourable regard of the selecting sex,
and thus attained to its highest pitch of development.
The decorative colouring of male birds may be replaced, not only by
the power of song, but in other ways also. Not all the male birds
of Paradise possess the familiar feather ornaments. The Italian
traveller Beccari has called attention to a species, the males of
which are simply coloured brown, like the females of other species.
This _Amblyornis inornata_ entices its mate to itself in the pairing
time in a very peculiar manner, for it arranges in the midst of the
primitive forests of New Guinea a little 'love garden' or bower, a spot
several feet in extent, strewn with white sand, on which it places
shining stones and shells, and brightly coloured berries. In this case
a special instinct has developed, which has replaced the personal
charm of the bird in the eyes of the female. For this very reason the
case seems to me to have some theoretical importance, for it serves
indirectly to show that the personal excellences do actually function
as a means of exciting and attracting, if any one should still doubt it.
Public-domain text, read in full here on John Shaqi.
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