The jointing of the brick courses can be clearly observed at this point.
It is very simple, owing to the square shape of the bricks that
necessitates two-handed manipulation. The cross-joints run straight
through the walls, and if in one course a whole brick—a binder—lies at
one corner, the next course has a half brick—a stretcher. At the edges
and in the corners the sequence of the series changes. When on occasion
the change does not occur owing to some irregularity, a quarter brick
was employed at the edge, and in the corner a whole brick with its
corner cut out was used, or one wall penetrated to the depth of half a
brick into the adjoining wall, with a vertical joint extending from top
to bottom. This is to be seen at this part of the Citadel. The care
bestowed on applying these building regulations sometimes leaves much to
be desired. The vertical joints are of uneven thickness, the walls were
patched with inserted fragments, and in thick walls the regularity is
frequently broken by small channels that extend transversely or
lengthways through the wall, of the height and breadth of a course, and
are only closed on the outer surface by an inserted fragment; they
appear to have been constructed to secure the dryness of the building.
In the Arachtu wall of Nabopolassar, and in his palace, as well as in
the ascent on the north-east angle of the Kasr (_t_ 4), an exceptional
feature occurs, a border series in which, within the same course, a half
brick laid behind a whole one is regularly alternated with a whole brick
laid behind a half one, so that the whole mass of the wall is joggled
together by this border series. This is another instance of the false
principles of construction which are found throughout antiquity far more
frequently than enthusiastic admirers would credit.
[Illustration:
FIG. 55.—The six-lined Lebanon inscription from Southern Citadel.
]
[Illustration:
FIG. 56.—The eight-lined standard inscription from Southern Citadel.
]
Public-domain text, read in full here on John Shaqi.
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