The Exclusives (vol. 2 of 3)Bury, Charlotte Campbell, Lady
General
The Exclusives (vol. 2 of 3)
Bury, Charlotte Campbell, Lady
Great Britain -- Social life and customs -- Fiction
Had Lord Glenmore paused to reflect, and
had recourse to that unerring light, which
never dazzles to betray--his steps would
have been guided by unfailing wisdom, and
he would have found his chief happiness in
his chief duty; whereas he pursued the phantom
ambition; he did not consider that the
necessary consequence which must follow an
official occupation, was his leaving his young
wife without a natural protector, amid scenes
that were any thing but safe; and he was
desirous that she, too, should play her part,
and by those graces and influences which
have such sway over the destinies of men and
of empires, take an interest and acquire a
power in that vaulting game of ambition in
which he himself delighted to engage. He
considered not how often he must leave her
through the day, and the greater part of the
night, to run this hazardous career, at an
age when caution sleeps and passions are
awake, and in the midst of a set which, though
certainly not wholly devoid of some unblemished
characters, was yet, generally speaking,
in its whole tendency perilous to the
pure and domestic virtues--a woman's only
true glory.
Yet on this precipice was Lady Glenmore
placed, without one real friend to whom
she could look for genuine advice or succour.
Her mother's (Lady Melcomb) absence from
town prevented that natural tie, and had she
been there it would have proved the business of
the exclusives to have prevented that free and
happy intercourse, both on the principle of
not allowing any aged person to mar the
brilliancy of their set, as well as that of excluding
all those who might see through the
drift of the society. On Lady Melcomb's part
it was too early in the day to have any suspicion
of the work of mischief which was carrying
on to separate her from her daughter,
and thus was Lady Glenmore like a lovely
lamb amidst ravening wolves.
Public-domain text, read in full here on John Shaqi.
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