The Executioner's Knife; Or, Joan of ArcSue, Eugène
General
The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
BISHOP CAUCHON (laughing)--"That is too much zeal, canon! In her
infinite mercy, our holy mother the Church sends people to the pyre but
never herself burns them with her maternal hands. Execution is the
province of the secular arm. Thanks to your spiritual aid, it will be
done that way with Joan. She shall be roasted as a relapsed heretic, and
the Church will have shown herself full of clemency to the very end. Our
triumph will have results of an importance that you do not dream of.
Joan will become even in the eyes of her partisans the most despicable
of creatures. We shall burn her body and we shall stain her name and
fame for now and evermore."
CANON LOYSELEUR--"How, monseigneur? I do not quite grasp your meaning."
BISHOP CAUCHON--"I shall prove to you to-morrow what I am now saying.
In the meantime we must also see what advantage we can draw from the
otherwise annoying chastity of the she-devil. Because, may God pardon
me, she is still a virgin. But it is growing late. Go and take a few
hours of rest. To-morrow early you must be all sorrow, moans and sighs,
with irons to your hands and feet and lying upon straw in the cell of
Joan."
The canon departs; the Bishop remains alone. He busies himself with the
preparation of the process and the drawing up of a series of questions
based upon the actions and words of Joan the Maid.
CHAPTER II.
IN THE DUNGEON.
It is still night. A lamp feebly lights a dark subterraneous cell in the
old donjon of the Castle of Rouen. The cell is a semi-circular cave. Its
greenish walls ooze with the moisture of winter. A narrow window,
furnished with an enormous iron bar is cut in a stone wall six feet
thick. Opposite the airhole and under a vaulted passage is a massive
door studded with iron and pierced with a grated wicket always kept
open. A wooden box filled with straw lies to the left of the door; a
long chain that is soldered in the wall and the other end of which is
fastened to a heavy iron belt, now open, lies on the straw. At one end
of the box, that is to serve as a bed, rises a beam so contrived as to
hold fast the feet of the girl prisoner that is soon to be conveyed
thither. A trunk, a stool, a table, the sorrowful furniture of a
prisoner's cell, are barely distinguishable by the light of the lamp.
Opposite this straw bed is another, furnished exactly like the first. On
it lies Canon Loyseleur, in chains. He has just said a few words to the
jailer John, an English soldier in burly middle age, who wears an old
fur coat, and whose low and savage face is bloated by excessive
indulgence in wine and strong liquors. His thick long beard, unkempt
like his hair, falls down upon his chest. A cutlass hangs at his side.
Presently another man of hang-dog looks pushes open the door and says
to John:
"Come, quick. Here is the witch!"
Public-domain text, read in full here on John Shaqi.
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