The Executioner's Knife; Or, Joan of ArcSue, Eugène
General
The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
In these moments of despair, the heroine became again the timid young
girl whose intense modesty had caused her even to renounce the sacred
joys of wifehood, and who had taken the vow of virginity to her saints.
Thus, despite the encouragement of her voices, her strength failed her,
especially at the thought of being led to the pyre in a mere shirt.
After her recent spell of sickness that, snapping the springs of her
energetic and tender nature, slowly undermined her will power, Joan fell
with increasing frequency under the dominion of weakness. At intervals
her wonted courage and resoluteness resumed the ascendancy. Her voices
said to her: "Do not yield to those false priests, who pretend to judge
you and are but your butchers. Uphold truth bravely! Pride yourself in
having saved France with the aid of heaven. Defy death! They may burn
your body, but your fame will live imperishable as your immortal soul,
that will radiantly rejoin its Creator! Noble victim of priests'
hypocrisy and of the wickedness of man, quit this sad world and enter
paradise!"
Such were, after her last interrogatory and the suffering produced by
her illness, the spells of resoluteness and faint-heartedness that
wrestled with each other and alternately exalted and again cast the
heroine down. On this day, however, Joan Darc feels herself so exhausted
that she feels certain she will speedily expire in her cell and escape
the ordeal of the pyre. Suddenly the noise of approaching steps is heard
outside and she recognizes the voice of the Bishop saying to the
jailers:
"Open to us the door of Joan's prison; open it to the justice of God!"
The door is opened, and the prelate appears, accompanied by seven of the
ecclesiastical judges--William Boucher, Jacob of Tours, Maurice of
Quesnay, Nicolas Midi, William Adelin, Gerard Feuillet, and Haiton--and
the inquisitor John Lemaitre.
The members of the holy tribunal are accompanied by two registrars. One
of these carries a large lighted wax taper, the other a book of
parchments and other writing material. The Bishop is clad in his
sacerdotal robes, his accomplices wear their priestly or their monastic
gowns. They silently range themselves in a semi-circle near the straw
couch on which the chained prisoner is lying. The Bishop steps towards
her; one of the registrars sits down at the table he has carried in, on
which he lays his parchments; the other remains standing near his
companion lighting the desk with his candle, whose reddish glamor falls
upon the faces of the ecclesiastics, motionless as specters, and, rather
than illuminating, imparts a somber aspect to the scene. Surprised at
the unexpected visit, the object of which she is ignorant of, Joan Darc
rises painfully and casts a frightened and wondering look around her.
Public-domain text, read in full here on John Shaqi.
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