The Executioner's Knife; Or, Joan of ArcSue, Eugène
General
The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
After her formal abjuration Joan Darc is taken in an almost dying
condition, not to her cell but to a room in the Castle of Rouen. By
orders of the Bishop, two old women are appointed to nurse her. She is
laid in a soft bed; her jaws, locked in convulsions, are forced open,
and a calming beverage poured down her throat. Every day and night the
physician visits her. On the second day after the abjuration, the
patient is out of danger. When Joan Darc recovers consciousness, she
finds herself in a spacious and neatly furnished room. The warm rays of
the sun play upon the glass of the barred casement. The two old women,
who have her in charge, are seated at the head of the patient's bed
seeming to contemplate her with tender interest. Joan Darc first thinks
that she dreams, but her next belief is that, agreeable to the promise
made to her by the institutor in the name of the Bishop, she has
secretly been set free. She believes that some charitable people have
obtained from the Bishop permission to transport her to their own house.
The first impression felt by Joan at these surmises is one of joy at
being free, and no remorse assails her at having denied the truth. The
bliss of having escaped the dreaded shame of exposure, the hope of soon
recovering her health, the prospect of returning to Domremy and seeing
her parents--all these pleasurable sentiments smother the reproaches of
her voices. She asks the two old women where she is. They smile in
answer, and mysteriously place their fingers on their lips. From these
tokens Joan conjectures that they are not free to answer, but that she
is in a safe and hospitable asylum. Preserving on this head the silence
that seems to be recommended to her, Joan gives herself over without
reserve to the joy of living, of looking through the window panels at
the blue sky, at feeling her limbs, so long sore and even wounded by the
weight of her chains, finally free from their cruel grip; above all she
congratulates herself on being delivered from the presence of her
jailers, whose revolting utterances and licentious looks have been a
cause of unremitting torture to her. She accepts nourishment and even
some generous wine mixed with water. Her strength returns. On the third
day she is able to rise. Her nurses offer her a long woman's dress and a
hat. No longer assailed by the chaste apprehension that her jailers
inspired her with in her cell, Joan resumes without hesitation the garb
of her sex. The door of the room that she occupies opens upon a terrace
on which her nurses induce her to promenade. A board fence high enough
to shut off the view surrounds the terrace.
Joan remains a long time upon the terrace, inhaling the spring air with
delight. When night approaches, feeling herself slightly fatigued by her
walk, she undresses, lies down upon her bed, and sleeps profoundly.
Public-domain text, read in full here on John Shaqi.
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