The Executioner's Knife; Or, Joan of ArcSue, Eugène
General
The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
The plot of the ecclesiastics was planned with diabolical craft. They
foresaw and calculated the consequences of the heroine's apostasy; they
realized that, taken to the pyre after she had confessed the divinity of
her mission, Joan would have become a saint; if, however, she renounced
her past actions, she was dishonored.
"Idle remorse!" thinks Joan. "How retract a public abjuration.
Impossible! Who could believe in the sincerity of a creature who had
once before renounced her faith and her honor!"
These mind and heartrending thoughts are tearing Joan Darc to pieces
when morning dawns and a rap is heard at the door of her chamber. The
old women rise and go to inquire who is there. It is their reverend
father in God, Canon Loyseleur. He wishes to speak to Joan without
delay. She hastily puts on her woman's clothes and prepares to receive
the priest, towards whom she now experiences a secret aversion, seeing
that she accuses him in her heart for having led her to abjure by
superexciting her dread of the shame and fear of the fagots. She
reflects, however, that after all, the priest might have actually
believed in the wisdom of his advice, and that she alone is responsible
for the cowardly apostasy. Joan receives the canon with her habitual
sweetness of manners. She learns from him that she is still a prisoner
in the Castle of Rouen, but that the Bishop will set her free. The
prelate, adds the canon, has no interest in retaining her a prisoner,
and is to allow her to escape at night in a day or two. Loyseleur
pretends that, thanks to his own personal intercession with the captain
of the tower, she has been transferred to that room; but the captain
demands that, the prisoner being now almost well again, she be returned
to her cell. His orders are to be carried out that very morning.
Joan Darc believes the priest's words and easily reconciles herself to
the idea of returning to her cell, but she asks as a supreme favor that
male attire be provided to her for the sake of protection against her
jailers. Canon Loyseleur promises to carry her wishes to the captain of
the tower. Suddenly one of the old women rushes into the room saying
that the jailer and an escort of soldiers are coming to claim the
prisoner. The canon assures Joan she is soon to be set free, and leaves
the room at the moment that John enters, carrying manacles which he
fastens on the wrists of the heroine, and then conducts her back to her
cell. Upon entering, Joan notices that the male clothes which she left
there have disappeared. She expects to see herself chained by the waist
and feet as she was before; but, freeing her even of the manacles, John
informs her that she is no longer to be chained, saying which he leaves,
casting a strange look upon her. Hardly concerned at this leniency, Joan
sits down upon her straw couch and remains motionless, occupied with her
own thoughts.
CHAPTER VIII.
THE RELAPSE.
Public-domain text, read in full here on John Shaqi.
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