The Exemplary Novels of CervantesCervantes Saavedra, Miguel de
General
The Exemplary Novels of Cervantes
Cervantes Saavedra, Miguel de
Spanish fiction -- Translations into English
"Who should teach me?" she replied. "Have I not a soul in my body? Am I
not fifteen years of age? I am neither lame, nor halt, nor maimed in my
understanding. The wit of a gipsy girl steers by a different compass
from that which guides other people. They are always forward for their
years. There is no such thing as a stupid gitano, or a silly gitana.
Since it is only by being sharp and ready that they can earn a
livelihood, they polish their wits at every step, and by no means let
the moss grow under their feet. You see these girls, my companions, who
are so silent. You may think they are simpletons, but put your fingers
in their mouths to see if they have cut their wise teeth; and then you
shall see what you shall see. There is not a gipsy girl of twelve who
does not know as much as one of another race at five-and-twenty, for
they have the devil and much practice for instructors, so that they
learn in one hour what would otherwise take them a year."
The company were much amused by the gitana's chat, and all gave her
money. The old woman sacked thirty reals, and went off with her flock as
merry as a cricket to the house of the señor lieutenant, after promising
that she would return with them another day to please such liberal
gentlemen. Doña Clara, the lieutenant's lady, had been apprised of the
intended visit of the gipsies, and she and her doncellas and dueñas, as
well as those of another señora, her neighbour, were expecting them as
eagerly as one looks for a shower in May. They had come to see Preciosa.
She entered with her companions, shining among them like a torch among
lesser lights, and all the ladies pressed towards her. Some kissed her,
some gazed at her; others blessed her sweet face, others her graceful
carriage. "This, indeed, is what you may call golden hair," cried Doña
Clara; "these are truly emerald eyes."[67] The señora, her neighbour,
examined the gitanilla piecemeal. She made a _pepetoria_[68] of all her
joints and members, and coming at last to a dimple in her chin, she
said, "Oh, what a dimple! it is a pit into which all eyes that behold it
must fall." Thereupon an esquire in attendance on Doña Clara, an elderly
gentleman with a long beard, exclaimed, "Call you this a dimple, señora?
I know little of dimples then if this be one. It is no dimple, but a
grave of living desires. I vow to God the gitanilla is such a dainty
creature, she could not be better if she was made of silver or sugar
paste. Do you know how to tell fortunes, niña?"
[67] It is hard to say what "exquisite reason" Cervantes can have had
for likening a girl's eyes to emeralds above all other gems. He uses the
phrase elsewhere, apparently without any ironical meaning.
[68] A dish, in which a fowl is served up disjointed.
"That I do, and in three or four different manners," replied Preciosa.
Public-domain text, read in full here on John Shaqi.
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