The boys soon got about him, but he kept them off with his staff, requesting them to speak to him from a distance, lest they should break him, seeing that he, being a man of glass, was exceedingly tender and brittle. But far from listening to his request, the boys, who are the most perverse generation in the world, soon began to throw various missiles and even stones at him, notwithstanding all his prayers and exclamations. They declared that they wished to see if he were in truth of glass, as he affirmed; but the lamentations and outcries of the poor maniac induced the grown persons who were near to reprove and even beat the boys, whom they drove away for the moment, but who did not fail to return at the next opportunity. One day, that a horde of these tormentors had pursued him with more than their usual pertinacity, and had worn out his patience, he turned to them, saying--"What do you want with me you varlets? more obstinate than flies, more disgusting than _Chinches_,[54] and bolder than the boldest fleas. Am I, perchance, the Monte Testacio[55] of Rome, that you cast upon me so many potsherds and tiles?" But Rodaja was followed by many who kept about him for the purpose of hearing him reply to the questions asked, or reprove the questioner, as the case might be. And after a time, even the boys found it more amusing to listen to his words than to throw tiles at him; when they gave him, for the most part, somewhat less annoyance. [54] The reader will be pleased to guess the name of that insufferable insect which the Spaniards denominate _Chinche_, and with the English equivalent of which I am unwilling to offend his eyes. Happy, indeed, if he cannot guess; but then he cannot have seen either Seville or Granada, and one might almost encounter an acquaintance with the animal called _Chinche_ rather than renounce _them_. [55] Such of our readers as have visited Rome, will remember that enormous mound which is seen rising on the right hand as you leave the city, by the Porta Salaria, and is said to have been formed by the numberless fragments of pottery cast on the spot from time immemorial.