"If, perchance, those who hear him, whether because of their knowledge or their ignorance, should fail to commend him, he says, 'Either your worships have not listened to the verses, or I have not been able to read them properly, for indeed and in truth they deserve to be heard;' and he begins, as before, to recite his poem, with new gestures and varied pauses. "Then to hear these poetasters censure and tear one another to pieces! And what shall I say of the thefts committed by these cubs and whelps of modern pretence on the grave and ancient masters of the art, or of their malevolent carpings at those excellent persons of their own day in whom shines the true light of poetry; who, making a solace and recreation of their arduous labours, prove the divinity of their genius and the elevation of their thoughts to the despite and vexation of these ignorant pretenders, who presume to judge that of which they know nothing, and abhor the beauties which they are not able to comprehend? What will you have me esteem in the nullity which seeks to find place for itself under the canopy spread for others--in the ignorance which is ever leaning for support on another man's chair?" Rodaja was once asked how it happened that poets are always poor; to which he replied, "That if they were poor, it was because they chose to be so, since it was always in their power to be rich if they would only take advantage of the opportunities in their hands. For see how rich are their ladies," he added; "have they not all a very profusion of wealth in their possession? Is not their hair of gold, their brows of burnished silver, their eyes of the most precious jewels, their lips of coral, their throats of ivory and transparent crystal? Are not their tears liquid pearls, and where they plant the soles of their feet do not jasmine and roses spring up at the moment, however rebellious and sterile the earth may previously have been? Then what is their breath but pure amber, musk, and frankincense? Yet to whom do all these things belong, if not to the poets? They are, therefore, manifest signs and proofs of their great riches." In this manner he always spoke of bad poets; as to the good ones, he was loud in their praise, and exalted them above the horns of the moon. Being at San Francisco, he one day saw some very indifferent pictures, by an incapable hand; whereupon he remarked that the good painters imitate nature, while the bad ones have the impertinence to daub her face.