The Exeter Road: the story of the west of England highwayHarper, Charles G. (Charles George)
History
The Exeter Road: the story of the west of England highway
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs; Exeter Road
[Sidenote: _HUMANE JURIES_]
They hanged a gipsy, one Joshua Shemp, in 1801, for stealing a horse,
and afterwards discovered that he was innocent, according to a monument
still to be seen in Odstock churchyard. In 1802 John Everett suffered
death for uttering forged bank-notes, followed in 1820 by William Lee,
who died for the same offence. So late as 1835, two men were hanged for
arson; but public opinion had already been aroused against such
severity, judges and juries taking every advantage offered by faults in
the drawing up of indictments to acquit all those criminals not guilty
of murder whose crimes were then met by capital punishment. The statutes
left no choice but death for the convicted incendiary, the horse-or
sheep-stealer, and many another; and so many a guilty person was
acquitted by judges and juries horrified by the thought of incurring
blood-guiltiness by sending such men to the scaffold. The law allowed
loopholes for escape, and so when the _straw_-rick, to which a prisoner
was charged with setting fire, was proved to have been _hay_, he was
found ‘Not guilty.’ Blackstone called this action taken by juries ‘pious
perjury,’ and so it certainly was when, to avoid shedding blood, they
used to find £5 and £10 notes which prisoners sometimes were charged
with stealing, to be articles to the value of twelvepence or a few
shillings, according as the case required.
The last lawless scenes around Salisbury were enacted at the close of
1830, when the so-called ‘Machinery Riots,’ which had spread all over
the country, culminated here in fights between the Wiltshire Yeomanry
and the discontented agricultural labourers, who, fearing that steam
machinery, then
[Illustration: ST. ANNE’S GATE, SALISBURY.]
[Sidenote: _ALDERBURY_]
Public-domain text, read in full here on John Shaqi.
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