The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
History
The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
_Ralph_ (_sits at table_; ALICE _leans on his chair_; MRS. G.
_stands_ L. _of table_). Yes; proceed.
_Mrs. G._ "I, Simon Graylock, being in sound mind and body"—(_Bell
rings._) Hark! that's he. Don't mind. Write.
_Ralph._ "Sound mind and body."
_Mrs. G._ "Hereby bequeath to my dearly-beloved friend, Ralph
Cheeny"—(_Bell rings violently._)
_Ralph._ "Beloved friend, Ralph Cheeny." Go on.
_Mrs. G._ "My affectionate niece, Alice Chase"—(_Bell rings
violently._)
_Ralph._ "Alice Chase:" that's you, Ally. Go on.
_Mrs. G._ "To have and to hold, as his lawful wife, from this day
forth and forevermore. And to this union I give my consent, and
subscribe my name." That's all. He has stopped ringing. (_Dog barks._)
_Mr. G._ (_outside_). Hero, Hero, old boy, don't you know your
master? (_Dog barks. Shouting._)
_Mrs. G._ He's getting into the garden: he will soon be here. We
must retire.
_Ralph._ But what is it all about?
_Mrs. G._ Ask no questions. Let me arrange that paper. I will turn
the writing underneath, leaving a blank space for his signature. (_Dog
barks._)
_Mr. G._ Clear out, you brute! There goes my coat! Murder! help!
_Ralph._ Shall I run to his assistance?
_Mrs. G._ Not for the world! Come this way. I will explain all.
[_Exeunt_ R. _Then enter, hurriedly_, L., MR. G., _his hair and beard
dyed black, one coat-tail, torn off, in his hand_.]
_Mr. G._ Confound that dog! He has decidedly curtailed my
enjoyment. (_Holds up coat-tail._) Is it possible I am so transformed
as to become a terror to my own terrier? Where is everybody? Doors
locked, windows fastened, and nobody to let me into my own house! A
pretty state of affairs, truly! No matter: I have gained an entrance,
and now for a good surprise. (_Takes hand-mirror from table._) What a
change! The Simon Graylock of twenty-five takes the place of the Simon
Graylock of fifty. Glorious! Won't I make a sensation? I can see my
wife's look of astonishment and pleasure. I can hear her rapturous "O
Simon, you beauty!" Eh? what's that? (_Turns to_ L., _as_ JOHN BOUNCE
_enters, locks the door, and stands with his rifle at_ "_present_.")
Well, what's the matter? Eh! what's that? (_Turns_ R., _as_ PATTY
_enters, locks the door, and stands with a broom at_ "_present_.")
What's the meaning of this?
_Bounce._ Silence! Not _h_a sound! not _h_a, step! Sh—!
_Patty._ Silence! Not a look! not a breath! Sh—!
_Patty and John_ (_together_). If you move, if you speak,
you are a dead man. Sh—!
_Mr. G._ Why, John! Patty! you idiots! don't you know your master?
_Patty and John_ (_together_). Master! you! Ha, ha, ha!
_Mr. G._ Now stop that duet, or out of this house you go without
warning. Unlock those doors, and call your mistress.
Public-domain text, read in full here on John Shaqi.
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