The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
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The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
_Patience._ Thank you: I do not require it.
_Job._ Then, why did you send for it?
_Augusta_ (_at piano, reading music-titles as they turn the
leaves_). "Wouldn't you like to know?"
_Job_ (_turning round_). Eh? Why, there's the whole lot of 'em!
_Maria._ No: that won't do. That's too sentimental.
_Patience._ They sent for it, not I. You can take it back.
_Job._ O Patience! why are you so cold to one who loves you to
distraction? Why—
_Maria_ (_reading title_). "Lubly Cynthia." That's good.
_Job_ (_turning round_). Plague take those girls! You know that
for love of you I've left my home, Patience, and have donned the apron
of a waiter, and become a patient waiter for you, Patience. Oh! when
shall my love be rewarded with the possession of that plump white hand?
_Jane._ "When Johnny comes marching home." That's lovely.
_Job_ (_turning round_). Eh? Oh, bother them girls!
_Patience._ Don't mind them, Job. They do not dream of our
attachment. They do not dream you are my—
_Maria._ "Curly little bow-wow."
_Job_ (_turning round_). There, now! What's the use of trying
to talk where them girls are? Patience, dear Patience, meet me, meet
me—
_Augusta._ "Meet me by moonlight alone."
_Job._ Oh them girls! Meet me after tea in the woodshed, while I
am cleaning knives. We can commune: we can exchange vows: we can—
_Maria._ "Root hog or die."
_Patience._ Yes, Job, I will be there. But be secret. If our
attachment is discovered, Mrs. Candor will instantly dismiss you. And
it's so romantic to have a lover in disguise! I know you love me, Job.
Have patience.
_Job._ I mean to have her. Don't I love you better than all else
in the world? better than—
_Augusta._ "My old Aunt Sally."
_Job._ Eh? (_Aside._) I believe they are doing that on purpose.
(_Aloud._) Farewell, Patience! I must tear myself away from your
beloved presence. My heart—
_Maria._ "Oh! my heart goes pit-a-pat."
_Augusta._ "Somebody's coming, I'll not tell who."
_Jane._ "Let me kiss him for his mother."
_Lucy._ "Single gentleman, how do you do?"
_Job._ Eh? Oh, I'm pretty well.
_Maria._ Oh! nobody's talking to you, Job. Go about your business.
_Job._ Thank you. I don't hanker for your society, do I? A
parcel of harum-scarum girls, who are no more to be compared to—
_Lucy_ (_reads_). "The girl I left behind me."
_Job._ Oh, gracious! can they suspect? (_Starts off_ R., _drops
the dictionary, and stumbles over it; then picks it up, and exit_ R.)
_Maria._ He's stumbled over the hard words too.
_Bessie._ There's nothing here we can sing.
_Maria._ Oh! here's one: "Upidee."
_Lucy._ Oh, that's nice! (_One of the girls strikes the piano,
and all join in chorus of "Upidee." At the conclusion, three loud
thumps are heard outside._)
Public-domain text, read in full here on John Shaqi.
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