The Exiles and Other StoriesDavis, Richard Harding
General
The Exiles and Other Stories
Davis, Richard Harding
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
But he was not always serious, and it sometimes happened that after he
had arrived at some queer little island where the native prince and
the English governor sat in judgment together, his interest in the
intricacies of their laws would give way to the more absorbing
occupation of chasing wild boar or shooting at tigers from the top of
an elephant. And so he was not only regarded as an authority on many
forms of government and of law, into which no one else had ever taken
the trouble to look, but his books on big game were eagerly read and
his articles in the magazines were earnestly discussed, whether they
told of the divorce laws of Dakota, and the legal rights of widows in
Cambodia, or the habits of the Mexican lion.
Stuart loved his work better than he knew, but how well he loved Miss
Delamar neither he nor his friends could tell. She was the most
beautiful and lovely creature that he had ever seen, and of that only
was he certain.
Stuart was sitting in the club one day when the conversation turned to
matrimony. He was among his own particular friends, the men before
whom he could speak seriously or foolishly without fear of being
misunderstood or of having what he said retold and spoiled in the
telling. There was Seldon, the actor, and Rives, who painted pictures,
and young Sloane, who travelled for pleasure and adventure, and
Weimer, who stayed at home and wrote for the reviews. They were all
bachelors, and very good friends, and jealously guarded their little
circle from the intrusion of either men or women.
"Of course the chief objection to marriage," Stuart said--it was the
very day in which the picture had been sent to his rooms--"is the old
one that you can't tell anything about it until you are committed to
it forever. It is a very silly thing to discuss even, because there is
no way of bringing it about, but there really should be some sort of a
preliminary trial. As the man says in the play, 'You wouldn't buy a
watch without testing it first.' You don't buy a hat even without
putting it on, and finding out whether it is becoming or not, or
whether your peculiar style of ugliness can stand it. And yet men go
gayly off and get married, and make the most awful promises, and alter
their whole order of life, and risk the happiness of some lovely
creature on trust, as it were, knowing absolutely nothing of the new
conditions and responsibilities of the life before them. Even a
river-pilot has to serve an apprenticeship before he gets a license,
and yet we are allowed to take just as great risks, and only because
we _want_ to take them. It's awful, and it's all wrong."
"Well, I don't see what one is going to do about it," commented young
Sloane, lightly, "except to get divorced. That road is always open."
Sloane was starting the next morning for the Somali Country, in
Abyssinia, to shoot rhinoceros, and his interest in matrimony was in
consequence somewhat slight.
Public-domain text, read in full here on John Shaqi.
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