The Exiles and Other StoriesDavis, Richard Harding
General
The Exiles and Other Stories
Davis, Richard Harding
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Of all the beautiful ladies who came to call on the lodger the one the
Unicorn liked the best was the one who wanted to know whether she
loved Reggie and whether Reggie loved her. She discussed this so
interestingly while she consumed tea and thin slices of bread that the
Unicorn almost lost his balance in leaning forward to listen. Her name
was Marion Cavendish, and it was written over many photographs which
stood in silver frames in the lodger's rooms. She used to make the tea
herself, while the lodger sat and smoked; and she had a fascinating
way of doubling the thin slices of bread into long strips and nibbling
at them like a mouse at a piece of cheese. She had wonderful little
teeth and Cupid's-bow lips, and she had a fashion of lifting her veil
only high enough for one to see the two Cupid's-bow lips. When she did
that the American used to laugh, at nothing apparently, and say, "Oh,
I guess Reggie loves you well enough."
"But do I love Reggie?" she would ask, sadly, with her teacup held
poised in air.
[Illustration: Consumed tea and thin slices of bread.]
"I am sure I hope not," the lodger would reply, and she would put down
the veil quickly, as one would drop a curtain over a beautiful
picture, and rise with great dignity and say, "If you talk like that I
shall not come again."
She was sure that if she could only get some work to do her head would
be filled with more important matters than whether Reggie loved her or
not.
"But the managers seem inclined to cut their cavendish very fine just
at present," she said. "If I don't get a part soon," she announced, "I
shall ask Mitchell to put me down on the list for recitations at
evening parties."
"That seems a desperate revenge," said the American; "and besides, I
don't want you to get a part, because some one might be idiotic enough
to take my comedy, and if he should, you must play _Nancy_."
"I would not ask for any salary if I could play _Nancy_," Miss
Cavendish answered.
They spoke of a great many things, but their talk always ended by her
saying that there must be some one with sufficient sense to see that
his play was a great play, and by his saying that none but she must
play _Nancy_.
Public-domain text, read in full here on John Shaqi.
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