The Exiles and Other StoriesDavis, Richard Harding
General
The Exiles and Other Stories
Davis, Richard Harding
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
So for several hours she drove slowly up and down, sunk far back in
the cushions of the cab, and staring with unseeing eyes at the white,
enamelled tariff and the black dash-board.
She assured herself that she was not jealous of Marion, because, in
order to be jealous, she first would have to care for Philip in the
very way she could not bring herself to do.
She decided that his interest in Marion hurt her, because it showed
that Philip was not capable of remaining true to the one ideal of his
life. She was sure that this explained her feelings--she was
disappointed that he had not kept up to his own standard; that he was
weak enough to turn aside from it for the first pretty pair of eyes.
But she was too honest and too just to accept that diagnosis of her
feelings as final--she knew there had been many pairs of eyes in
America and in London, and that though Philip had seen them, he had
not answered them when they spoke. No, she confessed frankly, she was
hurt with herself for neglecting her old friend so selfishly and for
so long a time; his love gave him claims on her consideration, at
least, and she had forgotten that and him, and had run after strange
gods and allowed others to come in and take her place, and to give him
the sympathy and help which she should have been the first to offer,
and which would have counted more when coming from her than from any
one else. She determined to make amends at once for her
thoughtlessness and selfishness, and her brain was pleasantly occupied
with plans and acts of kindness. It was a new entertainment, and she
found she delighted in it. She directed the cabman to go to
Solomons's, and from there sent Philip a bunch of flowers and a line
saying that on the following day she was coming to take tea with him.
She had a guilty feeling that he might consider her friendly advances
more seriously than she meant them, but it was her pleasure to be
reckless: her feelings were running riotously, and the sensation was
so new that she refused to be circumspect or to consider consequences.
Who could tell, she asked herself with a quick, frightened gasp, but
that, after all, it might be that she was learning to care? From
Solomons's she bade the man drive to the shop in Cranbourne Street
where she was accustomed to purchase the materials she used in
painting, and Fate, which uses strange agents to work out its ends, so
directed it that the cabman stopped a few doors below this shop, and
opposite one where jewelry and other personal effects were bought and
sold. At any other time, or had she been in any other mood, what
followed might not have occurred, but Fate, in the person of the
cabman, arranged it so that the hour and the opportunity came
together.
Public-domain text, read in full here on John Shaqi.
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