The Exiles and Other StoriesDavis, Richard Harding
General
The Exiles and Other Stories
Davis, Richard Harding
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
"I have every right," she said, "to help my friends, and I want to
help you and Philip. And, indeed, I do hope you _are_ sorry. I
hope you are miserable. And I'm glad you saw me kiss him. That was the
first and the last time, and I did it because I was happy and glad for
him; and because I love him, too, but not in the least in the way he
loves you. No one ever loved any one as he loves you. And it's time
you found it out. And if I have helped to make you find it out, I'm
glad, and I don't care how much I hurt you."
"Marion!" exclaimed Helen, "what does it mean? Do you mean that you
are not engaged; that--"
"Certainly not," Marion answered. "I am going to marry Reggie. It is
you that Philip loves, and I am very sorry for you that you don't love
him."
Helen clasped Marion's hands in both of hers.
"But, Marion!" she cried, "I do, oh, I do!"
* * * * *
There was a thick yellow fog the next morning, and with it rain and a
sticky, depressing dampness which crept through the window-panes, and
which neither a fire nor blazing gas-jets could overcome.
Philip stood in front of the fireplace with the morning papers piled
high on the centre-table and scattered over the room about him.
He had read them all, and he knew now what it was to wake up famous,
but he could not taste it. Now that it had come it meant nothing, and
that it was so complete a triumph only made it the harder. In his most
optimistic dreams he had never imagined success so satisfying as the
reality had proved to be; but in his dreams Helen had always held the
chief part, and without her, success seemed only to mock him.
He wanted to lay it all before her, to say, "If you are pleased, I am
happy. If you are satisfied, then I am content. It was done for you,
and I am wholly yours, and all that I do is yours." And, as though in
answer to his thoughts, there was an instant knock at the door, and
Helen entered the room and stood smiling at him across the table.
Her eyes were lit with excitement, and spoke with many emotions, and
her cheeks were brilliant with color. He had never seen her look more
beautiful.
"Why, Helen!" he exclaimed, "how good of you to come. Is there
anything wrong? Is anything the matter?"
She tried to speak, but faltered, and smiled at him appealingly.
"What is it?" he asked in great concern.
Helen drew in her breath quickly, and at the same moment motioned him
away--and he stepped back and stood watching her in much perplexity.
With her eyes fixed on his she raised her hands to her head, and her
fingers fumbled with the knot of her veil. She pulled it loose, and
then, with a sudden courage, lifted her hat proudly, as though it were
a coronet, and placed it between them on his table.
"Philip," she stammered, with the tears in her voice and eyes, "if you
will let me--I have come to stay."
Public-domain text, read in full here on John Shaqi.
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