made in just the same manner as a cave, and men finding it ready made to their hands made use of it, as they would in a storm, of a cave they should find under a rock in a desert." What thoughts could a man entertain of such a fantastic philosopher, if he should persist seriously to assert that such a house displays no art? When we read the fabulous story of Amphion, who by a miraculous effect of harmony caused the stones to rise, and placed themselves, with order and symmetry, one on the top of another, in order to form the walls of Thebes, we laugh and sport with that poetical fiction: but yet this very fiction is not so incredible as that which the free-thinking philosopher we contend with would dare to maintain. We might, at least, imagine that harmony, which consists in a local motion of certain bodies, might (by some of those secret virtues, which we admire in nature, without being acquainted with them) shake and move the stones into a certain order and in a sort of cadence, which might occasion some regularity in the building. I own this explanation both shocks and clashes with reason; but yet it is less extravagant than what I have supposed a philosopher should say. What, indeed, can be more absurd, than to imagine stones that hew themselves, that go out of the quarry, that get one on the top of another, without leaving any empty space; that carry with them mortar to cement one another; that place themselves in different ranks for the contrivance of apartments; and who admit on the top of all the timber-roof, with the tiles, in order to cover the whole work? The very children, that cannot yet speak plain, would laugh, if they were seriously told such a ridiculous story. SECT. LXXIII. Comparison of the World with a Regular House. A Continuation of the Answer to the Objection of the Epicureans. But why should it appear less ridiculous to hear one say that the world made itself, as well as that fabulous house? The question is not to compare the world with a cave without form, which is supposed to be made by chance: but to compare it with a house in which the most perfect architecture should be conspicuous. For the structure and frame of the least living creature is infinitely more artful and admirable than the finest house that ever was built.