Her implements were a circular hardwood board, a paddle, a set of small, well pointed sticks, a thin-bladed knife, and squares of white muslin of various degrees of fineness. She talked and modelled, and we listening watched the fascinating process; saw her take the plastic substance, fashion a duck with ducklings on a pond, a lamb curled up asleep, and a couched lion with shaggy head resting upon his fore-paws. We watched her press beads of proper size and color into the eye sockets; skilfully finish the base upon which each figure lay; then twist a lump of butter into a square of fine muslin, and deftly squeeze, until it crinkled through the meshes in form of fleece for the lamb's coat, then use a different mesh to produce the strands for the lion's mane and the tuft for the end of his tail. In exuberant delight we exclaimed, "Oh, grandma, how did you learn to make such wonderful things?" "I did not learn, it is a gift," she replied. Then she spoke of her modelling in childhood, and her subsequent masterpiece, which had won the commendation of Napoleon and Empress Josephine. At that auspicious time, she was but eighteen years of age, and second cook in the principal tavern of Neuchatel, Switzerland. Georgia and I sat entranced, as with animated words and gestures she pictured the appearance of the buglers and heralds who came weeks in advance to announce the date on which the Emperor and Empress would arrive in that town and dine at the tavern; then the excitement and enthusiastic preparations which followed. She described the consultations between the _Herr Wirth_ and the _Frau Wirthin_ and their maids; and how, finally, Marie's butter-piece for the christening feast of the child of the Herr Graf was remembered; and she, the lowly second cook, was told that a corner in the cellar would be set apart for her especial use, and that she should have her evenings to devote to the work, and three _groschen_ (seven and a half cents) added to her week's wages, if she would produce a fitting centrepiece for the Emperor's table. Five consecutive nights, she designed and modelled until the watchman's midnight cry drove her from work, and at three o'clock in the morning of the sixth day, she finished. And what a centrepiece it was! It required the careful handling of no less than three persons to get it in place on the table, where the Emperor might see at a glance the groups of figures along the splendid highway, which was spanned by arches and terminated with a magnificently wrought gateway, surmounted by His Majesty's coat of arms.