The first trait in his character to reveal itself is vanity, a most inordinate vanity. Haman is introduced at the moment when he has been exalted to the highest position under the king of Persia; he has just been made grand vizier. The tremendous honour turns his brain. In the consciousness of it he swells out with vanity. As a necessary consequence he is bitterly chagrined when a porter does not do homage to him as to the king. His elation is equally extravagant when he discovers that he is to be the only subject invited to meet Ahasuerus at Esther's banquet. When the king inquires how exceptional honour is to be shown to some one whose name is not yet revealed, this infatuated man jumps to the conclusion that it can be for nobody but himself. In all his behaviour we see that he is just possessed by an absorbing spirit of vanity. Then at the first check he suffers an annoyance proportionate to the boundlessness of his previous elation. He cannot endure the sight of indifference or independence in the meanest subject. The slender fault of Mordecai is magnified into a capital offence. This again is so huge that it must be laid to the charge of the whole race to which the offender belongs. The rage which it excites in Haman is so violent that it will be satisfied with nothing short of a wholesale massacre of men, women, and children. "Behold how great a matter a little fire kindleth"--when it is fanned by the breath of vanity. The cruelty of the vain man is as limitless as his vanity. Thus the story of Haman illustrates the close juxtaposition of these two vices, vanity and cruelty; it helps us to see by a series of lurid pictures how fearfully provocative the one is of the other. As we follow the incidents, we can discover the links of connection between the cause and its dire effects. In the first place, it is clear that vanity is a form of magnified egotism. The vain man thinks supremely of himself, not so much in the way of self-interest, but more especially for the sake of self-glorification. When he looks out on the world, it is always through the medium of his own vastly magnified shadow. Like the Bröcken Ghost, this shadow becomes a haunting presence standing out before him in huge proportions. He has no other standard of measurement. Everything must be judged according as it is related to himself. The good is what gives him pleasure; evil is what is noxious to him. This self-centred attitude, with the distortion of vision that it induces, has a double effect, as we may see in the case of Haman.