to please the king and their own interest in securing every comfort wealth can lavish on them. We do not look for a Boadicea in such a hot-house of narcotics. And when we find there a strong, unselfish woman such as Esther, conquering almost insuperable temptations to a life of ease, and choosing a course of terrible danger to herself for the sake of her oppressed people, we can echo the admiration of the Jews for their national heroine. It is a woman, then, who plays the leading part in this drama of Jewish history. From Eve to Mary, women have repeatedly appeared in the most prominent places on the pages of Scripture. The history of Israel finds some of its most powerful situations in the exploits of Deborah, Jael, and Judith. On the side of evil, Delilah, Athaliah, and Jezebel are not less conspicuous. There was a freedom enjoyed by the women of Israel that was not allowed in the more elaborate civilisation of the great empires of the East, and this developed an independent spirit and a vigour not usually seen in Oriental women. In the case of Esther these good qualities were able to survive the external restraints and the internal relaxing atmosphere of her court life. The scene of her story is laid in the harem. The plots and intrigues of the harem furnish its principal incidents. Yet if Esther had been a shepherdess from the mountains of Judah, she could not have proved herself more energetic. But her court life had taught her skill in diplomacy, for she had to pick her way among the greatest dangers like a person walking among concealed knives. The beauty of Esther's character is this, that she is not spoiled by her great elevation. To be the one favourite out of all the select maidens of the kingdom, and to know that she owes her privileged position solely to the king's fancy for her personal charms, might have spoilt the grace of a simple Jewess. Haman, we saw, was ruined by his honours becoming too great for his self-control. But in Esther we do not light on a trace of the silly vanity that became the most marked characteristic of the grand vizier. It speaks well for Mordecai's sound training of the orphan girl that his ward proved to be of stable character where a weaker person would have been dizzy with selfish elation.